基于设计理论视角下数字游民与网络社会空间中的艺术生产  

Digital Nomads and Artistic Production in Networked Social Space Based on the Design Theory Perspectives

作　　者：李彦忻 范欣蓓 Li Yanxin;Fan Xinbei

机构地区：[1]云南大学民族学与社会学学院

出　　处：《云南艺术学院学报》2025年第1期120-128,共9页

基　　金：2021年度国家社科基金艺术学项目“乡村振兴视野中白族传统工艺创造性转化与创新性发展研究”(项目编号:21EG212)阶段性成果。

摘　　要：在网络信息时代,数字游民群体通过脱域化的工作和生活方式重构了传统社会的交往模式与空间关系。网络社会空间内,数字游民以艺术生产为核心实践,形成了一种区别于传统物理空间的艺术生产模式,并展现了空间布局、文化交融与身份建构的独特路径。文章以中国云南大理地区为例,结合Dali Hub和NCC社区的具体实践,从设计理论视角出发,分析数字游民如何通过社会创新设计实现艺术生产的空间再构与文化认同。研究认为,大理的数字游民社区不仅推动了本地区文化与艺术的创新发展,也体现了设计学在塑造全球化与地方性共存场景中的重要作用。In the age of network information,digital nomads have reconfigured the interaction patterns and spatial relations of tradi-tional societies through their delocalized work and life styles.Within the networked social space,digital nomads take art production as their core practice,forming a mode of art production that is different from the traditional physical space,and demonstrating a u-nique path of spatial layout,cultural intermingling and identity construction.Taking the Dali region in Yunnan,China as an exam-ple,the article combines the specific practices of the Dali Hub and the NCC community to analyze,from the perspective of design theory,how digital nomads achieve spatial reconfiguration of art production and cultural identity through social innovation design.The study concludes that the digital nomad community in Dali not only promotes the innovative development of regional culture and art,but also demonstrates the important role of design studies in shaping the scenario of globalization and local coexistence.

关 键 词：数字游民 艺术生产 社区 社会创新设计 

分 类 号：J60[艺术—音乐]