闽彩台承:彩绘匠师手工艺聚落演进的历时性考察(1830—1945)  

Fujian’s Painting Art Inherited in Taiwan region:A Diachronic Study on the Evolution of Handicraft Settlements of Painters(1830—1945)

作　　者：郑泽彬 邱超 周鸿宇 吴杨敏 陈顺和[1] ZHENG Zebin;QIU Chao;WU Yangmin;CHEN Shunhe

机构地区：[1]福建农林大学风景园林与艺术学院 [2]不详

出　　处：《福建史志》2025年第2期12-20,91,共10页

基　　金：教育部人文社科项目“明清以来闽台传统手工艺聚落的艺术社会学研究”(编号:KSYB2302A)。

摘　　要：台湾地区因福建南部的彩绘匠师迁徙而演进出多元的聚落文化区,台湾彩绘师聚落是闽台间地缘联结与文化同源等多重影响下所形成的物质空间,对其聚落演进脉络进行历时性考察可填补闽台手工艺聚落研究的空白。本文考察了清末至日据时期闽地彩绘匠司迁台历程,研究发现清中叶至清末期间有郭氏与李氏等匠师落台发展,此时期是其转变为台湾地区本土彩绘师的过渡阶段,技艺传承主体则以闽地匠师为主。日据时期,吴、洪、黄等氏闽地彩绘匠师陆续来台,匠师在台湾地区各地发展聚落,此时期则是闽地匠师在台湾地区大放异彩的鼎盛阶段,技艺传承主体也由福建师傅逐步转变为台湾地区本地师傅,真正实现了“闽彩台承”的结果。揭示了清末至日据时期台湾彩绘聚落的生成多以福建闽南地区的彩绘匠师为主体,为台湾地区本土彩绘发展起到了不可磨灭的绘就作用。The migration of painters from southern Fujian to Taiwan region led to the development of diverse settlement cultural zones.The painter settlements in Taiwan region emerged as material spaces shaped by geographical connections and cultural commonalities between Fujian and Taiwan region.A diachronic examination of their evolution helps fill gaps in the study of Fujian-Taiwan region handicraft settlements.This study investigates the migration of Fujianese painters to Taiwan region from the late Qing Dynasty to the Japanese-invasion period.The findings reveal that during the mid-to-late Qing period,painters such as Guo and Li families settled in Taiwan region,marking a transitional phase in which they gradually became local Taiwan of China painters,though Fujianese masters remained the primary bearers of the craft.During the Japanese-invasion period,painters from Fujian,including Wu,Hong,and Huang families,migrated to Taiwan region and established settlements across the island.This period represented the peak of Fujianese painters’influence in Taiwan region,while the transmission of skills gradually shifted from Fujianese masters to local Taiwan of China practitioners,truly finalizing“Fujian’s painting art inherited in Taiwan”.The study demonstrates that the formation of Taiwan's of China painter settlements from the late Qing to the Japanese-invasion period was primarily driven by painters from southern Fujian,playing an indelible role in the development of Taiwan's of China indigenous painting traditions.

关 键 词：闽台 手工艺聚落 彩绘匠师 历时性考察 

分 类 号：J528[艺术—艺术设计]