清代荷包绣边的装饰艺术分析  

Analysis on Decorative Elements of Embroidered Edge of Purse in Qing Dynasty

作　　者：齐芮琛 叶洪光 QI Ruichen;YE Hongguang(School of Fashion,Wuhan Textiee University,Wuhan 430073,China)

机构地区：[1]武汉纺织大学服装学院,武汉430073

出　　处：《纺织科技进展》2025年第4期50-53,共4页Progress in Textile Science & Technology

摘　　要：绣边技艺在清代荷包边饰中极为常见,蕴含着丰富的文化内涵与艺术特征。通过文献研究与图像分析的方法,对荷包绣边的工艺及其表现形式进行研究,为荷包的制作和传承提供理论依据与参考。研究表明:①受清代繁复风格影响,荷包绣边工艺迎来全面发展;②绣边工艺繁复耗时,其中花式绣边工艺难度尤为显著;③绣边图案选材多样,所绣图案因编织绣针法而呈几何化特征,图案构成形式为二方连续;④绣边色彩的选择源自手工艺人对颜色的审美认知,多为蓝、黑、白色。Edge embroidery techniques were extensively utilized in Qing Dynasty pouch ornamentation,embodying significant cultural symbolism and artistic attributes.Through literature review and visual analysis,embroidery methodologies and decorative manifestations in pouch edging were systematically investigated,establishing theoretical foundations for pouch production and cultural preservation.Key findings include:①The ornate aesthetic of the Qing period catalyzed comprehensive technical advancement in pouch edge embroidery;②Labor-intensive processes characterized these techniques,with patterned embroidery proving notably demanding;③Pattern diversity emerged through material selection,with stitching techniques generating geometric configurations typically arranged in bidirectional repetition;④Color selection derived from artisans chromatic sensibilities,predominantly featuring blue,black,and white palettes.

关 键 词：荷包绣边 装饰艺术 编织绣针法 清代 

分 类 号：TS941[轻工技术与工程—服装设计与工程]