文艺“人民性”对传统民本思想的继承与发展  

The Inheritance and Development of Traditional People-Centered Thought through the“Popular Character”in Chinese Literature and Art

作　　者：赵颖 ZHAO Ying(College of Chinese Language and Literature,Henan University,Kaifeng,Henan 475001,China)

机构地区：[1]河南大学文学院,河南开封475001

出　　处：《开封文化艺术职业学院学报》2025年第2期20-25,共6页Journal of Kaifeng Vocational College of Culture & Art

基　　金：2022年河南大学文学院文艺学研究中心“研究阐释党的二十大精神专项项目”(2022-ESD-09)。

摘　　要：文艺创作应始终坚守“人民性”导向,在创造性地运用马列主义以及中国具体实践经验的基础上,汲取传统民本思想精华,进而生成以人民为中心的新时代审美经验、创作理念和理论认知。从内在逻辑和历史逻辑出发,研究文艺“人民性”同传统民本思想之间的关系,深入探讨马克思主义文艺理论民族性与时代性的转换和发展问题,对于弘扬中华优秀传统文化、传承中国传统民本思想的精髓,认识中国传统民本思想的时代性和历史局限性,践行新时代文艺的“人民性”思想,具有宝贵的文化价值与实践意义。Literary and artistic creation must consistently uphold the principle of“Popular Character”.By creatively applying Marxism-Leninism and China’s concrete practical experience while assimilating the essence of traditional people-centered thought,it fosters people-centered aesthetic paradigm,creative methodology,and theoretical framework in the new era.Examining the relationship between the“Popular Character”in Chinese literature and art and traditional people-centered thought through internal and historical logics,this study explores the transformation of national identity and epochal consciousness in Marxist literary theory.The research carries profound cultural significance and practical value for promoting China’s outstanding traditional culture,inheriting the core of people-centered philosophy,comprehending its historical constraints and contemporary applicability,and implementing the“Popular Character”principle in new-era literary and artistic practice.

关 键 词：文艺 “人民性” 民本思想 新时代 

分 类 号：G02[文化科学]