晚清至民国开封戏曲观演场所变迁考述  

The Evolution of Traditional Chinese Opera Performance Venues in Kaifeng from the Late Qing Dynasty to the Republic of China

作　　者：唐霞[1] TANG Xia(School of Literature,Jiaozuo Normal College,Jiaozuo,Henan 454000,China)

机构地区：[1]焦作师范高等专科学校文学院,河南焦作454000

出　　处：《开封文化艺术职业学院学报》2025年第2期26-32,共7页Journal of Kaifeng Vocational College of Culture & Art

基　　金：2023年教育部人文社科一般项目“(多卷本)河南戏曲文物志”(23YJA760076)。

摘　　要：晚清至民国时期,开封戏曲演出频繁,成为河南省戏曲文化的中心。戏曲观演场所在这一时期也发生变迁,从早期的茶园到民国时期的现代舞台,为戏曲演出与观看提供了商业化的固定空间,促进了各剧种之间的交流;满足了各个阶层的娱乐需要,扩大了观众群体;同时利用报刊刊登戏目广告、剧评等,激发群众观剧热情。戏曲观演场所的变迁在一定程度上促进了河南各剧种的艺术创新和成熟发展。During the late Qing Dynasty and the Republic of China period(1912-1949),Kaifeng witnessed frequent opera performances and became the center of traditional opera culture in Henan Province.The performance venues also underwent significant changes during this period——from early chayuan(tea-theater gardens,commercial venues combining tea service with opera performances)to modern theaters in the Republic of China period.These commercialized,fixed spaces provided dedicated environments for opera performances and audience viewing,facilitating artistic exchange among various opera genres.They catered to the entertainment demands of citizens across all social strata,significantly expanding the audience base.Additionally,newspapers and magazines published opera advertisements and reviews,further stimulating public interest in opera.The evolution of opera performance venues contributed,to some extent,to the artistic innovation and mature development of various opera genres in Henan.

关 键 词：晚清 民国 开封 戏曲观演场所 

分 类 号：J809[艺术—戏剧戏曲]