论宋南渡词人的家园意识书写  

Homeland Consciousness in the Ci Poetry of Southern Song Migrant Literati

作　　者：吴洁华 WU Jiehua(School of Literature,Shenyang Normal University,Shenyang,Liaoning 110034,China)

机构地区：[1]沈阳师范大学文学院,辽宁沈阳110034

出　　处：《开封文化艺术职业学院学报》2025年第2期48-53,共6页Journal of Kaifeng Vocational College of Culture & Art

摘　　要：靖康之后,南渡词人的词中充满了浓厚的家园意识。他们在词中表达对故国的思念,记录“失家人”立志收复故土的抱负,书写因壮志难酬而选择去山水中找寻精神家园的无奈。将“客”“舟船”“孤雁”“孤云”等漂泊意象相组合,灵活运用时空交错模式以及借助物象和梦境巧妙转换地理空间是南渡词人书写家园意识的重要艺术手法。通过对家园意识的书写,南渡词人展现了他们在南渡时期特有的飘零心态,再现了南渡词人由矛盾纠结到旷达自适的心路历程。同时,开启了辛弃疾、陈亮、刘过等人创作爱国词的先河,影响了辛弃疾词中的时空书写。Since the Jingkang Incident,the Ci poetry of Southern Song migrant literati became profoundly imbued with homeland consciousness.These works express their nostalgia for native land,record their aspirations of“displaced patriots”to recover lost territory,and articulate their resignation of seeking spiritual solace in nature when their political ambitions remained unrealized.The literati employed three cardinal techniques to convey homeland consciousness:synthesizing migratory imagery(“sojourner”,“derelict boat”,“lonely wild goose”,“drifting cloud”,etc.),employing spatiotemporal juxtaposition,and transmuting geographical spaces through symbolic objects and dream visions.These artistic expressions simultaneously manifest the distinctive rootlessness of exiled scholars during the Song court’s southern relocation,trace their psychological evolution from inner conflict to transcendent acceptance,and establish foundational patterns for the patriotic Ci tradition later advanced by Xin Qiji,Chen Liang,and Liu Guo,particularly influencing Xin’s innovative temporal-spatial configurations.

关 键 词：南渡词人 家园意识 艺术书写 认识价值 

分 类 号：I207.23[文学—中国文学]