上海电影的美学特征  

The Aesthetic Characteristics of the Shanghai Films

作　　者：饶曙光 王曼 RAO Shuguang;WANG Man

机构地区：[1]中国电影评论学会 [2]上海政法学院上海纪录片学院

出　　处：《电影理论研究(中英文)》2025年第1期18-25,共8页Journal of Film Studies

摘　　要：“上海电影学派”不仅承载着丰富的历史底蕴,更是一种以开放包容的姿态面向未来的概念,其理论建设围绕“上海电影”的理论与实践展开。本文从历史背景与文化渊源、艺术风格与视觉表现、主题思想这些角度,对历史上形成的“上海电影”的美学特征进行梳理,并结合共同体美学的理念,以期为“上海电影学派”的研究提供新的视角。In the future,Chinese cinema should establish its own film school,not only to inherit and promote Chinese culture but also to enhance the international influence of Chinese films and foster the development of the film industry.The Shanghai Film School' carries a rich historical heritage while embracing a forward-looking,open and inclusive attitude.Its theoretical framework is closely tied to the theory and practice of 'Shanghai films'.This article will explore the aesthetic characteristics of the historically formed 'Shanghai Films' from the perspectives of historical background and cultural origins,artistic style and visual expression,and thematic ideas,incorporating the concept of community aesthetics to provide a fresh perspective for researching the 'Shanghai Film School'.

关 键 词：上海电影学派 上海电影 美学特征 共同体美学 

分 类 号：J901[艺术—电影电视艺术]