山水与土地--20世纪八九十年代中国电影中的风景寓言  

Shan-shui and Land:Landscape Allegories in Chinese Films in the 1980s and 1990s

作　　者：钟萌骁 ZHONG Mengxiao

机构地区：[1]海南大学国际传播与艺术学院

出　　处：《电影理论研究(中英文)》2025年第1期78-89,共12页Journal of Film Studies

摘　　要：20世纪八九十年代中国电影中的山水意象与土地意象集中呈现出后发国家现代化转型期的复杂文化政治状况,这一状况可用“风景寓言”来概括。“第四代”导演的电影创作中,“山水”作为现代化冲击中的怀旧风景,想象性地建构了人与自然的家园性关系。“第五代”导演的电影创作中,“山水”蜕变为“黄土地”,作为现代民族国家的迷新寓言,黄土地意象体现了人与自然良性关系的崩解,以及自然与人的冲突、矛盾、悖反关系。The images of Shan-shui and land in Chinese films in the 1980s and 1990s concentratedly present the complex cultural and political situation of the late-developing countries during the period of modernization transition,which can be summarized as a 'landscape allegory'.In the films of the 'fourth generation' directors,'Shan-shui',as a nostalgic landscape amidst the impact of modernization,imaginatively constructs the homeland relationship between human and nature.In contrast,the films of the 'fifth generation' directors transform the image of 'Shan-shui' into 'yellow land'.As a new allegory of the modern nation-state,the image of yellow land embodies the collapse of the harmonious relationship between human and nature,as well as the conflict,contradiction and paradoxes between them.

关 键 词：风景寓言 山水 黄土地 中国电影 

分 类 号：J905[艺术—电影电视艺术]