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作 者:杜天笑 DU Tianxiao
机构地区:[1]北京大学艺术学院
出 处:《电影理论研究(中英文)》2025年第1期90-103,共14页Journal of Film Studies
摘 要:目前学界关于英国喜剧电影的研究大多聚焦对于经典案例的“点状”评述,缺乏“线索性”的脉络梳理和内在延续性与统一性的分析。因此本文首先在历史性维度建立起关于英式喜剧风格史的“连贯的叙事”,通过“音乐厅和轻喜剧”“厨房水槽和现实主义悲喜剧”以及“胡闹传统与黑色喜剧”三条脉络,勾画出英式喜剧的类型演变与风格谱系。再从三条脉络共同呈现出的“折中性”特征出发,寻找“英式喜剧”作为一种稳定的民族性表达所揭示出的文化内涵与审美本质。Current research on British comedy films primarily consists of isolated analyses of individual classic cases, lacking a 'systematic' exploration of their contextual frameworks,as well as an analysis of their inherent continuity and unity.Therefore,this paper first establishes a 'coherent narrative'from a historical perspective,illustrating the evolution of British comedy through three strands:'Music Hall and Light Comedy''Kitchen Sink and Realistic Tragicomedy' and 'Satire Boom and Dark Comedy'.Furthermore,it examines the 'eclectic and compromised' characteristics presented by these different strands of British comedy cinema,investigating the aesthetic essence, cultural significance,and national form implied by the notion of 'British comedy' as a stable style.
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