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作 者:姚静
机构地区:[1]中国人民大学信息资源管理学院
出 处:《北京档案》2025年第4期37-43,共7页Beijing Archives
基 金:“中国人民大学2023年度拔尖创新人才培育资助计划成果”。
摘 要:数字时代的综合档案馆文化空间不仅是物质性存在的延续,还逐步演变为社会关系与精神秩序的交织体。首先,辨析“空间”和“场所”的概念,指出文化空间是兼具乃至超越物质和精神的、开展文化活动的空间区域和特定场所,梳理“第三空间”“第三场所”等“空间转向”相关理论的内涵,表明“空间转向”能够助力综合档案馆的创新发展;其次,考察符合“空间转向”要求的“第三空间”“第三场所”的判定标准,构建与“空间转向”要求相互映射的综合档案馆文化空间建构框架;最后,分别从规划与决策层、管理与操作层、技术与标准层,为综合档案馆文化空间建构提出优化策略。The cultural space of comprehen⁃sive archives in the digital age is not only a continu⁃ation of material existence but also an intertwined entity of social relations and spiritual order.Firstly,the concepts of"space"and"place"are analyzed,pointing out that cultural space is an area and a specific place for cultural activities,which inte⁃grates and even transcends the material and spiri⁃tual aspects.This paper then reviews the connota⁃tions of"Spatial Turn"theories such as"the third space"and"the third place",and demonstrates that the"Spatial Turn"can contribute to the innova⁃tive development of comprehensive archives.Sec⁃ondly,the criteria for determining"third spaces"and"third places"that meet the requirements of the"Spatial Turn"are examined,and a framework for constructing the cultural space of comprehen⁃sive archives that maps to the"Spatial Turn"is pro⁃posed.Finally,optimization strategies for con⁃structing the cultural space of comprehensive ar⁃chives are provided from the perspectives of the planning and decision-making level,the manage⁃ment and operational level,and the technical and standardization level.
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