园林“空间流动性”在博物馆展陈空间的重构研究——以六朝博物馆为例  

Research on the Reconstruction of Exhibition Space based on the Mobility of Garden Space——Take the Six Dynasties Museum as an example

作　　者：刘静 宋益民 许令昊 LIU Jing;SONG Yimin;XU Linghao(Academy of Art and Design,Anhui University of Technology,Ma’anshan 243002,Anhui,China)

机构地区：[1]安徽工业大学艺术与设计学院,安徽马鞍山243000

出　　处：《安徽工业大学学报(社会科学版)》2024年第5期45-49,共5页Journal of Anhui University of Technology:Social Sciences

基　　金：安徽省教育厅科学研究项目重大项目:健康城市理念下城市建成区绿地布局规划、作用效果与要素辨析(2022AH040310);皖江工学院校级科研重点项目:基于空间句法和POI数据的园林空间流动性研究(WG24032ZD);马鞍山市景观生态修复研究重点实验室2024年度开放基金项目:城市景观格局空间分布及驱动因素分析(YGYS24001)。

摘　　要：中国传统园林是中国哲学思维及文化的内涵所延伸,其蕴含着适用于我国博物馆发展的独具民族审美的空间思维,因此从该视角探究博物馆展陈空间流动性的建构,有利于借博物馆作媒介继承并发扬传统文化精粹。以实地调研法和建筑学与园林学等跨学科研究方法,对南京六朝博物馆进行深层解读,从空间布局、视觉组织、空间流线以及空间序列等角度,探究“空间流动性”在博物馆展陈空间的应用。Chinese traditional gardens are the product of the extension of Chinese philosophical thinking and cultural connotation,which contains the unique national aesthetic spatial thinking applicable to the development of China’s museums.Therefore,from this perspective,the construction of museum exhibition space mobility is explored,which is conducive to inheriting and carrying forward the essence of traditional culture through museums.With the method of field research and interdisciplinary research methods such as architecture and landscape architecture,this paper makes a deep interpretation of the Six Dynasties Museum in Nanjing,and explores the design organization of space mobility from the perspectives of spatial layout,visual organization,spatial circulation and spatial sequence,this paper explores the application of"spatial fluidity"in the exhibition space of museums.

关 键 词：空间流动性 江南传统园林 六朝博物馆 重构 

分 类 号：TU024[建筑科学]