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作 者:邱旭 QIU Xu
出 处:《内蒙古大学学报(哲学社会科学版)》2025年第2期81-92,111,共13页Journal of Inner Mongolia University(Philosophy and Social Sciences)
基 金:国家社科基金重大项目(项目批准号:18ZDA240)。
摘 要:唐代杜甫的浣花草堂与元末顾瑛的玉山草堂同是中国园林史上曾经绽放异彩并被后人永久纪念的著名文人园林,数量不菲的旨在以文绘园的草堂诗作即生发于其中,成为人们想象名园胜景的凭依,也助成了园林的文学景观和文学空间意义。以顾瑛为首的玉山文士将所谓“洛阳之记述”“辋川之唱和”亦即文学书写和文人活动视为构建园林名胜的两条基本途径。如果仔细寻绎玉山文士园林书写和雅集唱和的精神脉络,其追摹杜甫、遥思浣花的深层心理结构粲然可观,具体则表现为“浣花互文”的书写模式及“杜诗分韵”的雅集范式。因此,玉山草堂“浣花风致”的园林定位,“浣花互文”的园林书写,“杜诗分韵”的唱和主题,既为我们展现了玉山文士对于杜甫接受的园林维度,又为理解玉山文士的群体文化心态提供了园林视角。Du Fu′s Huahua Thatched Cottage of the Tang Dynasty and Gu Ying's Yushan Thatched Hall of the late Yuan Dynasty stand as two renowned literati gardens in Chinese landscape history,celebrated for their cultural brilliance and enduring legacy.Numerous poetic works composed within these spaces,dedicated to capturing the gardens through literary means,served not only as key references for envisioning their scenic beauty but also enhanced their significance as both literary landscapes and poetic spaces.The Yushan literati,under Gu Ying′s leadership,considered literary documentation(exemplified by"Records of Luoyang")and poetic correspondence(as seen in the"Wangchuan Collections")as dual fundamental approaches to constructing cultural landscapes.A close examination of the Yushan literati′s garden writings and the intellectual ethos of their poetic gatherings reveals a profound psychological construct—their conscious emulation of Du Fu and nostalgic invocation of Huahua—which finds expression in the intertextual references to Huahua and the Du Fu-inspired rhyme distribution practice in collective poetry composition.Consequently,the Huahua-style aesthetic conception of Yushan Thatched Hall,the intertextual engagement with Huahua in garden literature,and the Du Fu-themed rhyme distribution in poetic exchanges not only demonstrate the Yushan literati's reception of Du Fu through horticultural lens but also offer a unique perspective for understanding this intellectual community′s collective cultural mentality.
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