在音乐与社会之间:清中叶至20世纪60年代苏州弹词的音乐社会学研究  

Between Music and Society:A Musicological Study of Suzhou Tanci from the Mid-Qing Dynasty to the 1960s

作　　者：周巍 ZHOU Wei(Marxist College,Suzhou University of Technology,Changshu 215500,China)

机构地区：[1]苏州工学院马克思主义学院,江苏常熟215500

出　　处：《苏州教育学院学报》2025年第2期75-85,共11页Journal of Suzhou College of Education

基　　金：江苏省社会科学基金项目(24YSB015)。

摘　　要：音乐社会学视域中的苏州弹词音乐的创作与生产、演出与传播、接受与消费环节,在不忽视艺人自觉音乐探索的前提下,更多地受到“社会层面”的影响与制约。可以说,“社会层面”的研究突破了音乐文本的解释,进入更宏观的苏州弹词音乐的社会建构,即苏州弹词音乐是特定社会和特定历史的产物,并非艺术个性的完全反映。From the perspective of music sociology,the creation,production,performance,dissemination,reception,and consumption of Suzhou Tanci music were influenced and constrained by the“social dimension”,while also recognizing the conscious musical exploration of artists.This study reveals that the“social dimension”transcends the interpretation of musical texts,entering a broader social construction of Suzhou Tanci music.It emphasizes that Suzhou Tanci music is a product of specific social and historical contexts,rather than a mere reflection of artistic individuality.

关 键 词：音乐社会学 苏州弹词 社会 生产 传播 接受 

分 类 号：J617[艺术—音乐]