明代三部杜诗全集注本在评杜上的继承与新变——以“赋、比、兴”手法为例  

Inheritance and Innovation of the Annotations in Three Commentaries on Complete Collection of Du Fu’s Poetry from the Ming Dynasty:A Case Study of the“Fu,Bi,Xing”Techniques

作　　者：陈许 CHEN Xu(College of Literature,Northwest Normal University,Lanzhou 730070,China)

机构地区：[1]西北师范大学文学院,甘肃兰州730070

出　　处：《湖州师范学院学报》2025年第3期69-76,共8页Journal of Huzhou University

基　　金：国家社会科学基金项目“《唐诗鼓吹》汇校汇注汇评及研究”(22XZW041)。

摘　　要：单复《读杜诗愚得》、邵宝《刻杜少陵先生诗分类集注》、胡震亨《杜诗通》作为明代仅存的三部杜诗全集注本,分别对应明代前、中、后三期,完整呈现了明代文艺思潮与注杜思想的阶段性特征。这三部注本在评注方法上呈现承续与演进的双重轨迹,尤其在“赋、比、兴”手法的运用中,清晰展现出方法论层面的演进脉络。通过比勘三本注例,既可勾勒明代杜诗学的动态发展图景,亦能客观评估其学术史价值。The three existing commentaries on complete collection of Du Fu’s poetry from the Ming Dynasty are Insights of Reading Du Fu’s Poetry by Shan Fu,Classified Annotations of Du Shaoling’s Poetry by Shao Bao,and Comprehensive Commentary on Du Fu’s Poetry by Hu Zhenheng.Spanning the early,middle,and late periods of the Ming Dynasty,these commentaries collectively reflect the evolving literary trends and annotation philosophies of the era.They exhibit both continuity and innovation in their methodologies,particularly in their application of the“Fu,Bi,Xing”(elaboration,comparison,stimulus)techniques.By analyzing annotated examples from these commentaries,this study outlines the dynamic development of Du Fu studies in the Ming Dynasty and objectively evaluates the contributions of these works to the field.

关 键 词：《读杜诗愚得》 《刻杜少陵先生诗分类集注》 《杜诗通》 全集注本 赋、比、兴 

分 类 号：I206.09[文学—中国文学]