从“画筌”意境理论看陶瓷绘画意境研究  

Research on the Artistic Mood of Ceramic Painting from the Artistic Mood Theory of"Huaquan"

作　　者：沈清正 Shen Qingzheng(Jingdezhen Ceramic University,Jiangxi,Jingdezhen,33000,China)

机构地区：[1]景德镇陶瓷大学,江西景德镇333000

出　　处：《陶瓷》2025年第4期46-48,81,共4页Ceramics

摘　　要：意境理论是中国绘画的灵魂。笔者主要通过分析《画筌》的意境理论来研究关于陶瓷绘画的意境探索。在历史发展的过程中,中国画与陶瓷绘画紧密联系,当代陶瓷绘画作品的发展也离不开对中国画理论的研究。《画筌》文中,笪重光对于虚实相生等一系列关于“意境”的阐述,对艺术理论的发展具有贡献意义,也对陶瓷绘画的继续发展有很重要的借鉴意义。The theory of artistic mood is the soul of Chinese painting.This article mainly studies the artistic mood exploration of ceramic painting by analyzing the artistic mood theory of"Huaquan".In the process of historical development,Chinese painting is closely related to ceramic painting,and the development of contemporary ceramic painting is also inseparable from the study of Chinese painting theory.In the article"Huaquan",a series of explanations about"artistic mood"such as the coexistence of virtual and real are of great significance to the development of art theory and the continuous develop ment of ceramic painting.

关 键 词：意境 《画筌》 陶瓷绘画 

分 类 号：TQ174.74[化学工程—陶瓷工业]