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作 者:闫茂华 Yan Maohua
机构地区:[1]连云港师范学院 [2]连云港区域文化研究所
出 处:《农业考古》2025年第2期45-53,共9页Agricultural Archaeology
基 金:第五批江苏省非物质文化遗产代表性项目“茶艺习俗”(项目编号:JSX-37)。
摘 要:聚焦清初诗坛宗主王士禛的茶文化书写,揭示其“神韵”诗学与茶道精神的互文性建构。通过“以诗证茶”的研究路径,剖析其茶事活动的三重符号表征:朝堂场景中“手点茶汤候早朝”的仪典化呈现,将茶饮升华为“清慎勤”政治伦理的具象载体;文人交游场域内“竹炉分茶”的雅集范式,构筑起士大夫文化共同体的话语空间;独处情境下“独啜观云”的审美体验,则暗含易代文人“大隐于朝”的精神隐喻。指出王氏系统演绎了“俭、清、和、静”的茶道四谛,并通过文学实践将茶文化转化为士大夫阶层的身份标识,为考察清初精英文化的生成机制提供了新的阐释维度。This study focuses on the tea culture writings of Wang Shizhen, the master of the poetry world in the early Qing Dynasty, revealing the inter-textual construction between his "spiritual resonance" poetics and tea ceremony spirit. Through the approach of "using poetry to illuminate tea", this study analyzes the triple symbolic representations of tea-related activities, including the ritualized representation of "brewing tea while awaiting dawn court sessions" in imperial contexts elevates tea-drinking into a materialized embodiment of "purity, prudence and diligence" political ethics, the refined gathering model of "bamboostove tea sharing" in the literati social sphere construct discursive spaces for scholar-official cultural communities, and the aesthetic experience of "sipping tea alone while gazing at the clouds" in solitary moments subtly conveying the spiritual metaphor of "reclusive existence within bureaucracy". Systematically interpreting the four tea principles of "thrift, purity, harmony and serenity", this research demonstrates how literary practices transformed tea culture into an identity marker for scholar-officials,offering novel perspectives for examining the formation mechanisms of elite culture in early Qing Dynasty.
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