“空间-场景”互动视域下乡村新型公共文化空间实践与场景阐释  

Spatial Practice and Scene Interpretation of New Rural Public Cultural Spaces from the Perspective of"Space-Scene"Interaction

作　　者：侯雪言 HOU Xue-yan(School of Politics and Public Administration,Zhengzhou University,Zhengzhou,Henan 450001)

机构地区：[1]郑州大学政治与公共管理学院,河南郑州450001

出　　处：《艺术百家》2025年第1期57-64,共8页Hundred Schools In Arts

基　　金：2021年度国家社科基金艺术学青年项目“乡村振兴战略下农村公共文化空间生成机制和建构策略研究”(项目编号:21CH196)阶段性成果之一。

摘　　要：聚焦乡村新型公共文化空间的空间实践和场景阐释,建构了“空间—场景”互动理论框架,基于对全国43个代表性乡村新型公共文化空间的扎根理论分析,形成了包括“在地性—消费性—文化性”在内的三个主维度和十五个次维度的新型乡村公共文化空间场景阐释框架。结合大南坡乡村美学新型公共文化空间的个案,对其空间实践形态和场景进行分析测度,凝练和阐释其空间场景特征,以为未来推动新型公共文化空间建设从物质空间营建走向文化自觉培育提供参考。This paper examines the spatial practices and scene interpretations of new rural public cultural spaces.It develops a theoretical framework for space-scene interaction.Utilizing grounded theory to analyze 43 representative new rural public cultural spaces nationwide,this study constructs a scene interpretation framework encompassing three primary dimensionslocality,consumption,and culture-and fifteen sub-dimensions.Through an in-depth case study of the Dananpo Rural Aesthetics New Public Cultural Space,this research elucidates its spatial practice forms and scene metrics,thereby distilling and interpreting its spatial scene characteristics.This analysis provides valuable insights for advancing the development of new public cultural spaces from physical infrastructure to the nurturing of cultural awareness.

关 键 词：新型公共文化空间 场景理论 乡村文化 

分 类 号：G124[文化科学]