删订少作与风格转向——王士禛与清初诗坛的变局  

Revision and Deletion of Early Works and the Shift in Poetic Style: Wang Shizhen and the Transformation of Early Qing Poetry

作　　者：吴留营 Wu Liuying(the School of Humanities,Shanghai Normal University,Xuhui District,Shanghai 200234,China)

机构地区：[1]上海师范大学人文学院,上海市徐汇区200234

出　　处：《文艺理论研究》2025年第1期106-118,共13页Theoretical Studies in Literature and Art

基　　金：国家社科基金青年项目“明清中国与琉球交往诗歌文献整理研究”[项目编号:20CZW026];上海市世界文学多样性与文明互鉴创新团队基金阶段性成果。

摘　　要：王士禛诗集自顺治末年初刊,到晚年手订全集《带经堂集》,半个世纪间新著迭出,旧集也有多次汇刊。其中康熙元年、八年汇刊诗集时,对旧作有较大体量的删削。借由早期版本和相关文献钩沉所删作品,可补构王氏早期文学创作图景,窥知其学诗路径及审美迁衍脉络。顺治时代至顺康之交,王氏进士及第且得官江南,科场、宦途看似畅达,而散佚作品则可透视其时的失意乃至哀怨。此间,艳体诗词大量创作并结集出版,是其审美取向多变、创作风格激进的阶段。诗宗王孟或温李,两条路径在扬州期间交错或并行。伴随着诗集的多次润改重订,渔洋诗学在趋于雅正的过程中走向成熟。王氏诗词的删削重订与审美转徙,在清初词风雅化、诗坛由多元走向整饬的文学生态变局中颇具典型意义。Wang Shizhen's poetic corpus underwent significant revision from its initial publication in the late Shunzhi period to his final compilation of the complete collection of his works in his later years.Over the course of half a century,he continually produced new works while re-editing and republishing earlier collections.During the first and eighth years of Kangxi's reign,he made substantial deletions to his earlier poems when compiling new editions of his works.By examining these deletions through early editions and related documents,we can reconstruct Wang Shizhen's early poetic development and trace his evolving aesthetic sensibilities.Although his success in the civil service examination and subsequent official appointments in Jiangnan suggested a promising career,his lost works reveal an underlying sense of frustration and melancholy during this period.His extensive engagement with yanti(amatory)poetry,which was actively composed and published at this time,signals a phase of aesthetic experimentation and stylistic boldness.During his years in Yangzhou,his poetic influences alternated between the styles of Wang Wei and Meng Haoran,as well as Wen Tingyun and Li Shangyin,which reflects a dynamic intersection of different literary traditions.As he continuously revised and refined his collections,Wang's Yuyang poetics gradually matured,which moved toward a more polished and elegant form.His selective deletions and evolving aesthetic choices exemplify the broader literary transformations of the early Qing period,a time when poetic expression transitioned from stylistic plurality to increasing formalization and refinement.

关 键 词：神韵诗学 王士禛 风格转向 少作 清初诗坛 

分 类 号：I207.2[文学—中国文学]