宋代女性词人的抒情方式与自我意识  

Lyric Style and Self-Consciousness among Song Female Lyricists

作　　者：龚粲然 GONG Canran(Humanities College,Shanghai Normal University,Shanghai 200234,China)

机构地区：[1]上海师范大学人文学院,上海200234

出　　处：《山东商业职业技术学院学报》2025年第2期99-104,共6页Journal of Shandong Institute of Commerce and Technology

摘　　要：跳出“代言体”的女性写作,呈现出女性真实细腻的情感链路与初步觉醒的自我意识;在自我意识的层面又可分为精神世界与审美理想、人生思考与价值追求两个部分。与男性词人作品进行对比,宋代女性词人的创作不仅赋予文学作品中的女性形象更丰富立体的特征,使得女性在文学作品中拥有了独立的主体地位,还在词汇、修辞、结构和观念方面形成了一套女性书写的抒情话语系统,这套话语系统又被明清女性词人所继承、发展。宋代女性词人在作品中展露出的作为主体而非他者的自我意识与独特的抒情方式,是词学发展史上的一抹亮色。The women’s writing that goes beyond the“representative style”presents women’s real and delicate emotional links and initial awakening of self-consciousness;and the level of self-consciousness can be divided into two parts:the spiritual world and aesthetic ideals,and the thinking and pursuit of values in life.Comparing with the works of male lyricists,the Song female lyricists not only gave more rich and three-dimensional features to the image of women in literature,making women have an independent subject position in literature,but also formed a lyrical discourse system for women’s writing in terms of vocabulary,rhetoric,structure,and concepts,which was inherited and developed by female lyricists of the Ming and Qing dynasties.The self-consciousness of the Song female lyricists as the subject rather than the other and their unique way of expressing their feelings are a bright color in the history of the development of Ci study.

关 键 词：宋词 女性词人 女性书写 抒情方式 自我意识 

分 类 号：I206[文学—中国文学]