胡文化对唐朝女子妆饰“胡化”的影响  

The impact of Hu culture on the"Hu-ization"of Tang dynasty women's cosmetics and jewelry

作　　者：刘欣翊 黄文山[1] 

机构地区：[1]浙江理工大学艺术与设计学院

出　　处：《时尚设计与工程》2025年第2期35-36,60,共3页The Journal of Fashion Design and Engineering

摘　　要：唐朝对外开放政策的实施,促进了胡风文化与中原文化的深度交融,形成了“胡汉交融”的文化背景。在此背景下,唐朝女性的面妆、面饰及装束展现出显著的“胡化”特征。研究结合诗句、画作及考古资料,从服装、妆容和面饰3个维度,分析唐朝女子妆饰的“胡化”现象,并探究其与西域胡风妆饰习俗之间的内在联系。The implementation of the Tang dynasty's open-door policy promoted the in-depth integration of Hu culture and China Central Plains culture,forming a cultural background of"Hu-Han fusion."Against this backdrop,the makeup,accessories,and attire of Tang women exhibited sig-nificant"Hu-ization"characteristics.Based on relevant poems,paintings,and archaeological data,This study comprehensively analyzed the"Hu-iza-tion"phenomena of Tang women's cosmetics and accessories from three perspectives—clothing,makeup,and accessories,and explored their in-trinsic connections with the makeup and accessory customs of Western Hu culture.

关 键 词：唐朝 胡风文化 时世妆 妆容 服装 胡化 文化传播 跨文化研究 

分 类 号：TS941.12[轻工技术与工程—服装设计与工程]