博物馆叙事空间中的政治认同  

Political Identity in the Narrative Space of Museums

作　　者：赵玄通 ZHAO Xuantong

机构地区：[1]苏州大学,苏州215123

出　　处：《上海视觉》2025年第1期32-38,共7页Shanghai Vision

摘　　要：作为一种文化记忆媒介,博物馆建构的公共文化空间是一个政治文化场域,也是信息、观念的交流平台,具有复杂的政治认同功能。这个文化场域里充满了“争议性空间”,各种政治力量和社会舆论在不同话语体系之间的交错、互动、博奔,最后生成主导性主体和主导性言论。作为争议空间的博物馆叙事空间由于凝聚着某一社群或共同体的集体记忆,在情感上起着统合和聚集的作用,从而产生政治认同。政治传播是公众传播,既关涉政治生活,同时又关涉个体日常生活。一些博物馆的私人叙事所建构的“反记忆政治认同”超越了个体的生命体验,而具有了文化模型的意味。随着近年媒介研究的情感转型,在“非历史学”与“再语境化”的叙事实践中,如何处理情感叙事框架与历史理性框架的辩证关系也是需要考虑的。Museums,as mediators of cultural memory,construct public cultural spaces that function as both political-cultural fields and platforms for information and ideological exchange,serving complex functions of political identification.These cultural fields are flled with"contested spaces"where various political forces and social opinions intersect,interact,and compete through different discourse systems,ultimately generating dominant subjects and narratives.Museum narrative spaces,as contested spaces,foster political identification by consolidating collective memories of specific communities or groups,serving an emotional unifying and gathering function.Political communication,being public communication,involves both political life and individual daily experiences.The "counter-memory political identification"constructed through private narratives in some museums transcends individual life experienc-es to assume characteristics of cultural models.With recent affective turns in media studies,the dialectical relationship between emotional narrative frameworks and historical rational frameworks in'non-historical"and"recontextualized"narrative practices requires careful con-sideration.

关 键 词：政治认同 博物馆叙事 争议空间 反记忆认同 

分 类 号：G260[历史地理—考古学及博物馆学]