论西方绘画中的“声响隐喻”  

On"Sonic Metaphors"in Western Painting

作　　者：孟欣[1] MENG Xin

机构地区：[1]西安美术学院,西安710065

出　　处：《上海视觉》2025年第1期46-54,共9页Shanghai Vision

摘　　要：西方艺术史中,声响隐喻在各个时期都发挥着独特而幽微的价值。本文试图在分析美学等研究基础上,梳理西方绘画中营造情境、声音符号、表现即时性时空关系等三种“声响隐喻”类型,及有关理论主张,阐明其与通感、投射作用的关联,论证声响隐喻和艺术通感间的嗨涩关系,提出“声响隐喻”的表达介质应该在画面的节律、形式的边界与审美通感与技术语言的同构之间,除了符号暗示和色彩作用,它还出现在边界、半透明的暗黑处的观点,并阐述其在艺术史中的价值和变迁轨迹。In Western art history,sonic metaphors have played subtle yet distinctive roles across different periods.Building on analytical aesthetics research,this study examines three types of"sonic metaphor"in Western painting:atmosphere creation,sound symbols,and the expression of temporal-spatial immediacy,along with their theoretical foundations.It clarifies their relationship with synesthesia and projection,demonstrating the complex connection between sonic metaphors and artistic synesthesia.The paper argues that the expressive medium of "sonic metaphors"exists between pictorial rhythm,formal boundaries,and the isomorphism of aesthetic synesthesia and technical language.Beyond symbolic suggestions and chromatic effects,these metaphors emerge in boundaries and semitransparent shadows.The study further explores their value and evolutionary trajectory in art history.

关 键 词：西方绘画 声响隐喻 通感 介质 

分 类 号：J205[艺术—美术]