方圆杂陈、美人对镜与月洞意象:论戏曲电影中的圆形构图  

Squares and Circles,Beauty in the Mirror,and Moon Cave Imagery:On Circular Composition in Chinese Opera Films

作　　者：闫然 YAN Ran

机构地区：[1]厦门大学,厦门361005

出　　处：《上海视觉》2025年第1期142-148,共7页Shanghai Vision

摘　　要：圆形在中国传统文化中具有深厚的哲学渊源,它不仅蕴含着丰富的文化内涵,还象征着圆满、圆融、和谐与完整。圆形流畅、柔和的造型经常被用于各类传统艺术的外观或内部构造中。尽管圆形的视觉形态在我们的生活中随处可见,但对其深入研究却相对不足,现有的研究大多集中在传统绘画和园林建筑方面。由于电影受制于长方形银幕的外观特性,圆形通常只能出现在画面内部。本研究以圆形在中国艺术和文化中的广泛运用为基础,选取最具有民族特色的戏曲电影为研究对象,探究圆形如何从书法、绘画、建筑等艺术形式中被挪用和转译至戏曲电影构图之中,并发挥其在视觉审美上的作用。The circle holds profound philosophical origin in Chinese traditional culture,embodying rich connotations and deep symbolism encompassing concepts of perfection,inclusiveness,harmony,and completeness.The circle's fluid and gentle form frequently appears in both the external appearance and internal structure of various traditional arts.Although circular visual forms are ubiquitous in our daily lives,in-depth research on this subject remains relatively insufficient,with existing studies primarily focusing on traditional painting and garden architecture.Due to the rectangular constraints of the cinema screen,circular forms typically appear only within the frame.Based on the circle's widespread application in Chinese art and culture,this study examines Chinese opera films,which best represent national characteristics,to explore how circular forms are appropriated and translated from calligraphy,painting,and architecture into opera film composition,and how they function in visual aesthetics.

关 键 词：戏曲电影 圆形构图 方圆 镜子 园林 

分 类 号：J905[艺术—电影电视艺术]