鬼神的欢聚与抚慰——论黎紫书《流俗地》的魅态文化书写  

Ghost Gathering and Comforting: The Writing ofCharming Culture in Li Zishu’s Vulgar Place

作　　者：马绍玺[1] 邓宇璇 Ma Shaoxi;Deng Yuxuan

机构地区：[1]云南师范大学文学院

出　　处：《华文文学》2025年第2期55-61,共7页Literatures in Chinese

摘　　要：黎紫书是马华文坛颇具代表性的新生代作家。她的近作《流俗地》书写了鬼魅文化、巫术文化和宗教文化等驳杂、共存的魅态文化。黎紫书并非以单一向度观察与思考人生世相,在《流俗地》中,鬼神之“赋魅”与现代性之“祛魅”进行着双重变奏,前现代文化与现代文化创造性结合,并能为现代人的心灵创伤与隐痛提供抚慰与治疗。黎紫书小说中魅态文化与现代文化和谐共存的世界,呈现了人类生活更为丰富、复杂、完整的面貌,与大卫·雷·格里芬等人提出的“建设性后现代主义”理念不谋而合。正是魅态文化的存在,让生命的意义维度得以拓宽,一种后现代世界的可能性隐隐浮现。Li Zishu is a representative writer of the new generation in the Malaysian Chinese literary world. Her recent work, Vulgar Place, explores the ghost culture, witchcraft culture, religious culture and other mixed and coexisting charming cultures. Li Zishu does not observe and think about the world of life in a single dimension. In Vulgar Place, the “enchantment” of ghosts and gods coexist with the “disenchantment” of modernity. The creative combination of pre-modern culture and modern culture can provide comfort and treatment for modern people’s spiritual trauma and hidden pain. The world in which the charm culture and modern culture coexist harmoniously in Li Zishu’s novels presents a richer, more complex and complete view of human life, which coincides with the concept of “constructive postmodernism” proposed by David Ray Griffin and others. It is the existence of charming culture that broadens the meaning dimension of life, and the possibility of a post-modern world looms.

关 键 词：黎紫书 《流俗地》 魅态文化 建设性后现代主义 

分 类 号：I106[文学—世界文学]