当代中国水印版画的色彩实践研究  

Research on Color Practice of Contemporary Chinese Watermark Prints

作　　者：胡赢日 Hu Yingri(Academy of Painting Arts,China Academy of Art Zhejiang)

机构地区：[1]中国美术学院绘画艺术学院

出　　处：《色彩》2025年第2期94-96,共3页Color

摘　　要：当代中国水印版画作为民族传统艺术的重要组成部分,在色彩实践上展现出了独特的取向和文化意义。本文旨在通过对中国水印版画的历史背景、色彩实践现状以及应用策略的研究,深入探讨色彩在当代水印版画中的传承与创新,并分析其审美特性和文化价值。通过对水印版画艺术家们的创作实践进行案例分析,本文揭示了色彩在水印版画中的重要作用,以及色彩实践对水印版画艺术发展的影响。As an important component of traditional Chinese art,contemporary Chinese watermark printmaking has demonstrated a unique orientation and cultural significance in color practice.This article aims to explore the inheritance and innovation of color in contemporary watermark printmaking through the study of the historical background,current status of color practice,and application strategies of Chinese watermark printmaking,and analyze its aesthetic characteristics and cultural value.Through case analysis of the creative practices of watermark printmakers,this article reveals the important role of color in watermark printmaking and the impact of color practice on the development of watermark printmaking art.

关 键 词：当代中国 水印版画 色彩实践 

分 类 号：J217[艺术—美术]