探析宋元花鸟画中的雪之“白”  

Analysis of the"Whiteness"of Snow in the Flower-and-Bird Paintings of the Song and Yuan Dynasties

作　　者：千好静 Qian Haojing(Tianjin Academy of Fine Arts)

机构地区：[1]天津美术学院

出　　处：《色彩》2025年第2期97-99,共3页Color

摘　　要：自古以来,雪便是文人墨客笔下用以描写自然之景、借景抒情的经典对象之一。“白色”这一特殊色彩的运用展现出对雪景花鸟画的独特意义,白雪也成为众多文人墨客喜欢表达的意象。本文主要以宋元时期的雪景花鸟画为主,探析雪景花鸟画之“白”的独特艺术价值与审美趣味,也将深入分析宋元时期文学中“雪”的意象与情感,结合不同的画作对这一时期雪景花鸟画中“白粉”表现技法进行分析,探索“白”这一色彩在中国画中的意义与内涵。同时,溯源雪景花鸟画中所用白色颜料的材质与制作方法,探析不同技法、颜料的白色质感及艺术效果。结合宋元时期的思想潮流在花鸟画艺术中的体现,更全面、深入地解读宋元花鸟画中的雪之“白”。Since ancient times,snow has always been one of the subjects that literati and poets use to describe nature and express their emotions through scenery.In the history of ancient Chinese painting,the theme of snow scenes stands out in the long history of Chinese painting and has reached an extremely high artistic level,becoming an image that many literati and poets love to express.This paper mainly focuses on the snow flower-and-bird paintings of the Song and Yuan dynasties,exploring the unique artistic value and aesthetic interest of the"whiteness"in snow flower-and-bird paintings.It will also deeply analyze the images and emotions of"snow"in the literature of the Song and Yuan dynasties,and analyze the expression techniques of"white powder"in the snow flower-and-bird paintings of this period by combining different paintings.At the same time,it traces back to the materials and production methods of the white pigments used in snow flower-and-bird paintings,and explores the texture and artistic effects of different whites.By combining the manifestations of the ideological trends of the Song and Yuan dynasties in the art of flower-and-bird paintings,it comprehensively and deeply interprets the"whiteness"of snow in the flower-and-bird paintings of the Song and Yuan dynasties.

关 键 词：雪景 花鸟画 白色 

分 类 号：J212[艺术—美术]