“色彩”在博纳尔与闫平花卉题材绘画中的应用研究  

The Application of"Color"in Pierre Bonnard and Yan Ping's Flower-themed Paintings

作　　者：曹清华 李洪峰 Cao Qinghua;Li Hongfeng(Fine Arts Academy of Changchun Normal University)

机构地区：[1]长春师范大学美术学院

出　　处：《色彩》2025年第2期109-111,共3页Color

摘　　要：本文旨在通过对西方画家博纳尔与中国画家闫平花卉题材绘画作品的分析,深入探讨中西方绘画在色彩运用方面的差异与共性。从色彩观念、色调营造、色彩情感表达以及文化内涵等多个维度进行比较研究,揭示中西方绘画色彩各自独特的魅力以及相互借鉴融合的趋势,为当代绘画艺术的发展提供有益的参考与启示。This paper aims to conduct an in-depth exploration of the differences and commonalities in the application of colors between Western and Chinese paintings by analyzing the flower-themed paintings of the Western painter Pierre Bonnard and the Chinese painter Yan Ping.Through a comparative study from multiple dimensions,including color concepts,the creation of color tones,the expression of color emotions,and cultural connotations,this paper reveals the unique charm of the colors in Western and Chinese paintings,as well as the trend of mutual reference and integration.It provides useful references and inspirations for the development of contemporary painting art.

关 键 词：皮埃尔·博纳尔 闫平 花卉绘画 当代艺术 艺术色彩 情感表达 艺术影响 

分 类 号：J205[艺术—美术]