传统青绿山水的现代色彩转化  

Modern Color Transformation of Traditional Blue-Green Landscape Painting

作　　者：贾雨田 Jia Yutian(Institute of Art and Art Design,Tianshui Normal University)

机构地区：[1]天水师范学院美术与艺术设计学院

出　　处：《色彩》2025年第2期115-117,共3页Color

摘　　要：青绿山水是中国传统山水画中的重要画科,以其独特的色彩语言在中国美术史上占据重要地位。青绿山水从隋唐鼎盛到宋元复兴,再到明清传承,经历了从大青绿到小青绿,从工笔到意笔的演变过程。在这一发展过程中,不同时期的社会文化背景和艺术思潮对其产生了深远影响。进入现代社会后,青绿山水在与西方艺术的交融中开辟出新的发展路径,形成了独特的现代表达方式。本文通过分析当代艺术家的创新实践,探讨青绿山水在新时代的发展前景,为传统青绿山水的现代转化提供新的思路。Blue-green landscape painting is a significant genre in traditional Chinese landscape painting,holding a prominent position in Chinese art history due to its unique color language.From its flourishing period in the Sui and Tang dynasties to its revival in the Song and Yuan periods,and its inheritance through the Ming and Qing dynasties,blue-green landscape painting has evolved from grand blue-green style to minor blue-green style,and from meticulous brushwork to expressionistic techniques.Throughout this development,different periods'social-cultural contexts and artistic trends have profoundly influenced its evolution.In modern society,blue-green landscape painting has forged new developmental paths through its integration with Western art,forming distinctive modern expressions.This paper explores the future prospects of blue-green landscape painting in the new era by analyzing contemporary artists'innovative practices,offering new perspectives for the modern transformation of traditional blue-green landscape painting.

关 键 词：青绿山水 艺术精神 技法特征 现代转化 创新发展 

分 类 号：J212[艺术—美术]