视觉传达视域下元青花纹样研究——符号解读与元素构成  

Research on Yuan Blue-and-White Patterns from the Perspective of Visual Communication——Symbolic Interpretation and Element Composition

作　　者：程真 李卓 

机构地区：[1]武藏野美术大学 [2]华东理工大学艺术设计与传媒学院

出　　处：《创意与设计》2025年第2期55-65,共11页Creation and Design

基　　金：上海市白玉兰人才计划浦江项目(24PJC022);华东理工大学探索研究基金项目(JKZ02252203)。

摘　　要：本文通过设计学科的视角,利用视觉感知原理和符号学方法,重新解释元青花纹样的构成。研究发现,元青花器物的设计依赖于纹样带的构成方式,其中图案在视觉上体现为“动态”与“静态”的符号。元青花的纹样构成中存在着丰富的设计逻辑,这些设计逻辑随着器物类型的不同而有所变化。陶工们根据器物的特征巧妙地选择了不同性质的设计逻辑进行编排,使元青花的复杂纹样展现出和谐而富有美感的视觉效果。This paper reinterprets the composition of Yuan blue-and-white patterns from the perspective of design discipline,using principles of visual perception and semiotics.The study reveals that the design of Yuan blue-and-white porcelain is based on the arrangement of pattern bands,where the patterns visually express the concepts of"dynamic"and"static."The composition of these patterns holds a rich design logic that varies according to the type of object.Craftsmen skillfully selected different design principles based on the object's characteristics,resulting in the complex patterns of Yuan blue-and-white porcelain displaying a harmonious and aesthetically pleasing visual effect.

关 键 词：元青花纹样 符号学 构成分析 

分 类 号：J527[艺术—艺术设计]