马鞍山朱然墓漆器设计思想研究  

Research on Design Thought of Lacquerware in Zhu Ran Tomb of Ma'an Shan

作　　者：郭立忠 

机构地区：[1]安徽财经大学艺术学院

出　　处：《创意与设计》2025年第2期66-72,共7页Creation and Design

基　　金：安徽省哲学社会科学规划项目一般项目(AHSKY2022D196)。

摘　　要：以马鞍山朱然墓漆器设计思想作为研究对象,运用文献整理、历史与逻辑法研究、个案与综合、田野考察等研究方法,梳理朱然墓漆器的设计特点和造物理念,重点分析中国传统造物中的以人为本的“重己役物”设计理念;注重实用性的“致用为本”设计特点;倡导器物功能与装饰相统一的“文质彬彬”设计观念;追求以少胜多、“守约以治广”的极简设计;强调器物设计科学性和适人性的“致用利人”设计目的。以期从设计学的角度对朱然墓出土的漆器分析研究,探寻三国时期传统设计思想和造物理念,拓展三国时期漆器艺术研究视角,扩大其研究范围。Taking the lacquerware design ideas of the tomb of Zhu Ran in Ma'an Shan as the research object,this paper uses research methods such as literature review,historical and logical research,case study and field investigation to sort out the design characteristics and creation concepts of the lacquerware in Zhu Ran's tomb.It focuses on analyzing the design ideas of"valuing oneself and using objects"that are people-oriented in traditional Chinese creation;the design feature of"practicality first"that emphasizes practicality;the design concept of"harmony of form and function"that advocates the unity of function and decoration of objects;the minimalist design of"less is more"that pursues simplicity;and the design purpose of"practicality and benefiting people"that emphasizes the scientific and ergonomic nature of object design.The aim is to analyze and study the lacquerware unearthed from Zhu Ran's tomb from the perspective of design studies,explore the traditional design ideas and creation concepts of the Three Kingdoms period,expand the research perspective of lacquerware art in the Three Kingdoms period,and broaden its research scope.

关 键 词：朱然墓 漆器 漆艺术 设计思想 造物理念 

分 类 号：J527[艺术—艺术设计]