琵琶曲《海青拿天鹅》共享文化符号的生成及现实意义  

The Creation and Contemporary Significance of the Shared Cultural Symbol in the Pipa Piece Haiqing na Tian'e

作　　者：崔玲玲[1] CUI Lingling(Minzu University of China)

机构地区：[1]中央民族大学教育学院

出　　处：《中华民族共同体研究》2025年第1期147-159,M0007,共14页Journal of the Chinese Nation Studies

基　　金：国家社会科学基金重点项目“卫拉特蒙古与周边民族音乐文化融合与共生考察研究”(23AMZ009);国家社科基金艺术学重大项目“中华民族共同体认同与各民族音乐交融共生研究”(22ZD11)阶段性成果。

摘　　要：琵琶曲《海青拿天鹅》是现今所知流传年代最早的琵琶曲。已有研究成果多从族属、音乐形态学等视角对之进行讨论。本文立足中华民族历史观视域,重新解读海青在两千余年的历史长河中是如何从北方各游牧民族的精神崇拜发展到元代琵琶曲《海青拿天鹅》首现;再通过考察其在元明清宫廷、王府、民间社会空间的传承以及演奏形式的变迁,阐释其成为共享文化符号的历史过程和当代现实意义。The pipa pieceThe Falcon Catches the Swan(Haiqing na Tian'e)is the earliest known pipa composition with a recorded history.Existing research has primarily analyzed it from perspectives such as ethnic classification and musical morphology.This study,grounded in the historical perspective of the Chinese nation,reinterprets how thehaiqing(a type of hunting falcon)evolved over more than two millennia from an object of spiritual reverence among northern nomadic peoples to its first appearance in the Yuan dynasty as a pipa composition.By examining the mechanisms behind its transmission and transformation in imperial courts,princely residences,and folk society during the Yuan,Ming,and Qing dynasties,this article explores the historical process through whichHaiqing na Tian'ebecame a shared cultural symbol,as well as its contemporary significance.

关 键 词：中华民族史观 《海青拿天鹅》 共享文化符号 中华民族文化 中华文明包容性 

分 类 号：J632.33[艺术—音乐]