潘灵小说的乡愁书写与中华民族共同体意识的建构  

The Nostalgia Writing in Pan Ling's Novels and the Construction of the Sense of Community for the Chinese Nation

作　　者：农武笑 NONG Wuxiao(School of Languages and Literature for Chinese Minorities,Minzu University of China,Beijing,100074,China)

机构地区：[1]中央民族大学中国少数民族语言文学学院,北京100074

出　　处：《文化创新比较研究》2025年第11期6-10,共5页Comparative Study of Cultural Innovation

基　　金：中央民族大学研究生科研实践项目资助“新世纪中国少数民族汉语创作的现代性乡愁书写研究——以布依族毛南族的作家作品为例”(项目编号:SZKY2024129)。

摘　　要：乡愁是潘灵小说中的重要主题,它不仅是作家创作的原动力,还反映出作家对家乡云南多民族共居共存的独特理解。该文以潘灵小说的乡愁书写为研究对象,从自在、自觉和自为三个维度对潘灵的乡愁书写展开分析。从乡愁的自在维度中,潘灵通过对多民族共生家园的描写,展现多元共建的家园意识;从乡愁的自觉维度中,潘灵借助历史题材创作,重述历史经验,凸显中华民族的集体认同;从乡愁的自为维度中,潘灵聚焦多民族生活场景的书写,建构中华民族共同话语范式。因此,潘灵的乡愁书写具有独特价值,为少数民族文学创作提供了新思路,对铸牢中华民族共同体意识具有重要启示。Nostalgia is a significant theme in Pan Ling's novels,serving not only as a driving force for the author's creation but also reflecting his unique understanding of the multiethnic coexistence in his hometown,Yunnan.This paper examines the nostalgia writing in Pan Ling's novels from three dimensions:the self-being,self-awareness,and self-making.From the self-being dimension of nostalgia,Pan Ling portrays a homeland of multiethnic symbiosis,highlighting the collective awareness of homeland construction.In the self-awareness dimension,he employs historical narratives to reinterpret historical experiences,emphasizing the collective identity of the Chinese nation.In the self-making dimension,he focuses on depicting multiethnic life scenes to construct a shared discourse paradigm of the Chinese nation.Therefore,Pan Ling's nostalgia writing possesses unique value,offering new perspectives for ethnic minority literature and providing significant insights into forging the sense of community for the Chinese nation.

关 键 词：潘灵 少数民族小说 乡愁书写 中华民族共同体意识 历史经验 家园意识 

分 类 号：I207.42[文学—中国文学]