“无声诗”传“画外情”:谢兰生绘画观念与诗文追求的交融会通  

“Silent poetry”conveys“The emotion of painting”--The integration of Xie Lansheng’s painting concept and poetry pursuit

作　　者：杨祖望 YANG Zu-wang(School of Literature,Nankai University,Tianjin 300071)

机构地区：[1]南开大学文学院,天津300071

出　　处：《汕头大学学报(人文社会科学版)》2024年第9期34-39,94,95,共8页Journal of Shantou University(Humanities and Social Sciences Edition)

摘　　要：谢兰生是清中期岭南文坛艺苑的杰出代表,他秉持诗、画融通的文艺观念,形成了独树一帜的审美追求。谢氏认为诗、画创作的动机皆为主体“心得”之“情”,二者在表现功能上具有互补之处,并都能赋予创作主体艺术化的人格涵养。因此,谢氏追求诗、画作品“与古齐驱”而又“自出机杼”,推崇雄奇风骨且“以造化为师”,同时也善用“先知其人”的方式来品人、评艺。作为“岭外祭酒”,谢兰生的文艺观念与批评实践深刻影响了岭南士人群体,推动“吾粤”文坛艺苑在即将走向近代的时间节点上焕发生机活力。Xie Lansheng is an outstanding representative of the Lingnan literary and art circles during the mid-Qing Dynasty.He adheres to the literary concept of the integration of poetry and painting,forming a unique aesthetic pursuit.He believes that the motivation of poetry and painting creation is the“emotion”of the subject’s“experience”.The two are complementary in terms of performance function,and can bring personality cultivation to artists.Therefore,his pursuit of poetry and painting works“keep pace with the ancient”and“consciously engage in innovation”,praise the heroic and“take nature as a teacher”.He also makes good use of the way of“knowing the person beforehand”to comment on people and art.As a“sacrifice wine outside the ridge”,Xie Lansheng’s literary and artistic concepts and critical practices have profoundly influenced the Lingnan scholar group and promoted the vitality of Guangdong’s literary and artistic field at the time of going to modern times.

关 键 词：谢兰生 绘画观念 诗文追求 岭南文艺 

分 类 号：J212[艺术—美术] I207.22[文学—中国文学]