流动的运河艺术文化:江苏地方戏曲的特征、模式与传播  

Flowing Canal Art and Culture:Characteristics,Models,and Dissemination of Jiangsu Local Opera

作　　者：邵萍 SHAO Ping(School of Music,Yangzhou University,Yangzhou 225009,Jiangsu,China)

机构地区：[1]扬州大学音乐学院,江苏扬州225009

出　　处：《扬州大学学报(人文社会科学版)》2025年第2期79-89,共11页Journal of Yangzhou University(Humanities and Social Sciences Edition)

基　　金：国家艺术基金艺术人才培训资助项目“扬剧表演艺术人才培养”(2022-A-05-033-426);江苏艺术基金艺术人才培养资助项目“扬剧唱腔传承艺术人才培养”(2023-D-01-008)。

摘　　要：中国大运河作为贯通南北的水路交通要道,从古至今发挥着漕运、商业、文化交流等多重功能,既是实物运输的媒介,也是沿岸文化交流、传承与发展的重要纽带。受所经流域、地貌等自然条件及其人文历史、社会发展、经济水平等因素的综合影响,其逐步形成了兼具地方特色和融合意义的大运河文化带。江苏地方戏曲作为运河流动艺术文化的缩影,具有地域性和历史性的双重属性,在历史进程中实现了“南腔北调”的变迁与融合,从而使戏曲形成多元统一的音乐文化特征,同时对于促进相关地区非物质文化遗产的保护和发展、推动大运河文化带建设具有重要意义。The Grand Canal of China,as a north-south waterway transportation artery,has historically served multiple functions including water transport,commerce,and cultural exchange.It functioned not only as a physical medium for material transportation but also as a vital link for cultural interaction,inheritance,and development along its banks.Influenced by natural conditions such as the traversed river basins and geomorphology,along with human history,social development,and economic factors,it gradually formed a Grand Canal cultural belt that integrates local characteristics with unifying significance.Jiangsu s regional operas,as a microcosm of the canal s dynamic artistic culture,embody dual attributes of regionalism and historicity.Over time,they underwent transformations and integration of “southern and northern musical styles”,resulting in a unified yet diverse musical cultural identity.These operas hold significant importance for advancing the preservation and development of intangible cultural heritage in related regions and for driving the construction of the Grand Canal Cultural Belt.

关 键 词：大运河文化带 地方戏曲 活态传承 

分 类 号：G127[文化科学] J825[艺术—戏剧戏曲]