从韵律到旋律——吉皮乌斯诗歌音乐性的生成机制  

From Rhythm to Melody——The Generation of Musicality in Gippius'Poetry

作　　者：王兆玮 Wang Zhaowei

机构地区：[1]北京外国语大学

出　　处：《俄罗斯文艺》2025年第2期79-90,共12页Russian Literature & Arts

摘　　要：吉皮乌斯向来被认为是一位工于音律的诗人,其诗歌的韵律构造和旋律结构中的音乐性趋向十分明显。本文首先分析其诗歌中的元辅音构成、句法语调、语音停顿,而后从三音节变体诗格到十四行诗细致考察韵律和旋律对于其诗歌声响氛围建构的重要意义,并结合俄罗斯诗歌传统、象征派的“音乐至上”理念及“音乐精神”,阐明其诗歌音乐性的美学渊源,以此揭示吉皮乌斯诗歌音乐性的生成机制。Gippius is considered a poet who specializes in rhythm,and the musicality of her poems is very obvious in the rhyme structure and melodic structure.This paper first analyzes the vowel and consonant composition,syntactical tone,and phonetic pauses,and then meticulously examines the importance of rhythm and melody in constructing the sound atmosphere from three-syllable variations to sonnets.Furthermore,by integrating the Russian poetic tradition,the Symbolist concept of"music as the supreme art",and the"spirit of music",this paper elucidates the aesthetic origins of the musicality in her poetry,thereby revealing the generative mechanisms of the musicality in Gippius'poetic works.

关 键 词：吉皮乌斯 俄国象征派诗歌 韵律与旋律 音乐性 

分 类 号：I106.2[文学—世界文学]