长篇小说《萨尼卡》对俄苏经典的回望与潜对话  

The Retrospection and Potential Dialogue on the Russian-Soviet Classics in Sankya

作　　者：胡恒 Hu Heng

机构地区：[1]哈尔滨师范大学斯拉夫语学院

出　　处：《俄罗斯文艺》2025年第2期91-102,共12页Russian Literature & Arts

基　　金：2021年度黑龙江省省属高等学校基本科研业务费科研项目《苏联解体后俄罗斯马克思主义文艺学变迁研究》(2021-KYYWF-0219);哈尔滨师范大学研究生重点创新项目《杜波连科社会主义现实主义理论批评研究》(HSDSSCX2023-26)的阶段性研究成果。

摘　　要：扎哈尔·普里列平在“革命”题材小说《萨尼卡》中自觉抑或不自觉地对俄苏经典进行回望并与之展开潜对话:作者一方面对苏联时代及其美学传统抱有怀旧情绪,另一方面基于后苏联社会语境对俄苏经典的诗学元素进行当代转换,从而在各层面都映现出既回望又告别俄苏经典的书写姿态。本文基于小说对革命浪漫主义、现代神话、人民性这三方面的改写与重构,从现象到本质渐次深入挖掘《萨尼卡》与俄苏经典的联系,探索其中隐匿在当代“革命”故事背后的写作意旨。In the revolutionary novel Sankya,Zakhar Prilepin makes a potential dialogue with Russian-Soviet classics consciously or unconsciously.On one hand,the author has a nostalgic attitude towards the Soviet era and its aesthetic traditions.On the other hand,he transforms the poetic elements of the Russian-Soviet classics into contemporary ones based on the post-Soviet social context,thus reflecting the writing gesture of looking back to and bidding farewell to the Russian-Soviet classics at all levels.This article attempts to unearth the connection between Sankya and the Russian-Soviet classics through the rewriting and reconstruction of revolutionary romanticism,modern mythology,and affinity to the people,and to explore the connotation of the contemporary revolutionary story.

关 键 词：《萨尼卡》俄苏经典 革命浪漫主义 现代神话 人民性 

分 类 号：I106.4[文学—世界文学]