活字印刷术的跨文化之旅——本木昌造、姜别利与筑地活版制造所在近代中日印刷交流史中的作用与影响  

A Cross-Cultural Journey of Movable Type Printing—The Roles and Implications of Motoki Shōzō,William Gamble,and the Tsukiji Letterpress Printing Co.in the Modern History of Sino-Japanese Printing Exchange

作　　者：高洋 GAO Yang(School of Journalism and Communications,Yangzhou University,Yangzhou 225009,China)

机构地区：[1]扬州大学新闻与传媒学院,扬州225009

出　　处：《北京印刷学院学报》2025年第4期48-55,共8页Journal of Beijing Institute of Graphic Communication

摘　　要：西方传教士在活字印刷术的中国本土化进程中发挥了先导作用,而作为近代日本活字印刷先驱者的本木昌造聘请美国传教士姜别利赴日进行技术指导则开启了活字印刷术从“中国化”向“日本化”转换的跨文化之旅。由于各种内外因素的制约,近代日本印刷人无法一次性地对姜别利带来的“中国化”活字印刷技术进行充分的吸收与掌握,他们后来又通过直接从中国引进技术与人员的方式来继续输入已经在中国本土进一步深化与成熟的活字印刷体制,然后在日本社会文化语境下的本土印刷实践中对其加以发展与改进。最终,“筑地体”活字体系的确立标志着具有独特风格与技术特征的日本印刷现代性的形成。While Western missionaries played a pioneering role in localizing movable type printing in China,a cross-cultural transition of print modernity from“Sinicization”to“Japanization”began when Motoki Shōzō,a pioneer of modern Japanese movable type printing,invited American missionary William Gamble to Japan to provide technical guidance in letterpress printing.Due to various internal and external constraints,modern Japanese printers were unable to fully absorb and master the“Sinicized”movable type printing techniques introduced by Gamble in a single attempt.They subsequently continued to import Chinese print modernity,which had further deepened and matured in China,through the direct transfer of technology and recruitment of personnel from China.This Chinese movable type printing system was then redeveloped and refined within Japan's sociocultural context through localized printing practices.Ultimately,the establishment of the“Tsukiji-style”typeface system marked the formation of Japanese print modernity with distinctive stylistic and technical characteristics.

关 键 词：活字印刷 印刷现代性 本木昌造 姜别利 筑地活版制造所 

分 类 号：G206[文化科学—传播学]