产业化语境下文旅演艺剧演艺空间的变革与反思  

The Transformation and Reflection on Performance Space of Cultural-Tourism Shows in the Context of Industrialization

作　　者：李艳[1] 郭展硕 Li Yan;Guo Zhanshuo

机构地区：[1]四川大学艺术学院,四川成都610207

出　　处：《天府新论》2025年第3期142-151,160,共11页New Horizons from Tianfu

基　　金：2023年度四川大学中央高校基本科研项目“媒介融合驱动下的传统戏曲艺术创新与传播研究”。

摘　　要：近年来,文旅演艺剧出现了很多新形式的探索,不断打破传统的剧场空间。列斐伏尔的空间三元理论(感知性的物理空间、构想性的精神空间、批判性的社会文化空间),为文旅演艺新空间的研究提供了新的视角。技术革命驱动下的剧场空间,经历了从固定镜框式舞台到沉浸式、实景化演艺的新变革。这种转变打破了传统的观演界限,通过创新叙事与对过程性和体验感的强调,使观者得以从物理层面的感官沉浸上升为精神层面的具身沉浸,能够从自身视角对空间进行构想与解读,并关注特定历史、文化与社会结构在空间中的象征性与隐性体现。这种精神空间的生产过程赋予了文旅演艺剧更深层次的文化价值与社会价值,为文旅消费注入了新的活力,提升了文旅演艺剧的品牌价值与文化传播力。但演艺空间的变革也潜存着问题,以消费为旨归,追求娱乐性与沉浸感,可能导致文化表达的浅薄化与同质化。文旅演艺剧应在技术创新与文化传承之间寻求平衡,注重对传统文化的内核与艺术深度的挖掘,以防范过度娱乐化和形式化的风险。In recent years,there have been many new forms of exploration in cultural-tourism shows,constantly breaking the traditional theatrical space.Lefebvre′s spatial ternary theory—which includes perceived physical space,conceived mental space,and critical socio-cultural space—offers a new perspective for researching new space in cultural-tourism shows.Driven by technological advances,theater space has evolved from fixed proscenium stages toward immersive and site-specific performances.This transformation disrupts conventional boundaries between performers and audiences.Through innovative storytelling and emphasizing procedural engagement and experiential elements,audiences elevate their sensory immersion from physical perception to embodied mental engagement.Consequently,audiences are empowered to conceptualize and interpret space from their individual perspectives,gaining sensitivity toward symbolic and implicit experiences linked to particular historical,cultural,and social structures.The production process of this mental space endows cultural and social value to cultural-tourism shows,injects new vitality into cultural-tourism consumption,and enhances the brand value and cultural dissemination of cultural-tourism shows.However,the transformation of the performance space also poses potential problems.Focusing on consumption and pursuing entertainment and immersion may lead to shallow and homogeneous cultural expression.Cultural-tourism shows should seek a balance between technological innovation and cultural inheritance,pay attention to the exploration of the core and artistic depth of traditional culture,and prevent the risks of excessive entertainment and formalism.

关 键 词：文旅演艺剧 空间 观演关系 列斐伏尔 大众消费 

分 类 号：J80[艺术—戏剧戏曲]