智媒时代人类对生成式AI的恶搞、模仿与解构——以“人类模仿AI”短视频为例  

In the Era of Intelligent Media, Humans’ Parody, Imitation, and Deconstruction of Generative AI: Taking the “Humans Imitating AI” Short Video as an Example

作　　者：郑谷成 袁爱清 ZHENG Gu-cheng;YUAN Ai-qing(School of Journalism and Communication,Jiangxi Normal University,Nanchang 330000,China)

机构地区：[1]江西师范大学新闻与传播学院,江西南昌330200

出　　处：《山西青年职业学院学报》2025年第1期7-12,共6页Journal of Shanxi Youth Vocational College

摘　　要：随着人工智能的发展与普及,“AI动态图片修复”这一技术步入大众视野。Sora、Luma AI、可灵AI等人工智能应用通过识别图片中的人物及场景,对图片内容进行逐帧调整,生成动态视频。但是,由于此类AIGC技术尚不成熟,其呈现的动态图片常常会出现怪异、夸张、不合逻辑的情况,从而引发网友对此类AIGC内容的恶搞,出现了大量的“人类模仿AI”短视频作品。“人类模仿AI”这一现象本质上是AIGC与网络恶搞文化的新融合,不仅折射出人们对AI动图缺陷的认识,而且创造出一种新的艺术创作思路。这种新兴艺术形式展现出一种独特的趣味性与创造力,极大地丰富了网络亚文化的内容。With the development and popularization of artificial intelligence,the“AI dynamic picture restoration”technology has entered the public eye.Sora,Luma AI,and Keling AI,among other AI applications,identify people and scenes in a photo and adapt each frame of the photo accordingly to generate a dynamic video.However,due to the immaturity of such AIGC techniques,the generated dynamic images often appear grotesque,exaggerated,and illogical.As a result,it has also sparked online parodies of such AIGC content by human users.The new phenomenon of“humans imitating AI”is fundamentally a fusion of AIGC and internet parody culture,reflecting not only people’s recognition of the defects of AI-generated images but also the creation of a new artistic style-the fusion of human creativity and machine algorithms.This emerging art form showcases a unique sense of humor and creativity that considerably enriches the content of the internet subculture.

关 键 词：生成式AI 人工智能模仿 网络亚文化 恶搞文化 

分 类 号：D432.64[政治法律—政治学]