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作 者:古世仓[1,2] 周倩 GU Shi-cang;ZHOU Qian(School of Chinese Languages and Literatures,Lanzhou University,Lanzhou,730000)
机构地区:[1]兰州大学文学院 [2]甘肃省文联
出 处:《云南社会科学》2025年第3期156-166,共11页Social Sciences in Yunnan
基 金:甘肃省教育厅优秀研究生“创新之星”项目“鲁迅与郭沫若的道路抉择与文学实践研究”(项目号:2025CXZX-022)的阶段性成果。
摘 要:在中国式现代化的时代背景之下,21世纪以来的乡土文学与影视呈现出一种回归、贴近、反哺现实的强烈导向。这一现实指向中包含着三重意蕴,其一是宏观性与实践性,在乡土中国向城乡中国的转型进程中,创作者将个人的自觉追求汇入书写时代文学命题的主流,对乡土文明的现代化衍变进行在场性观照,树立国际视野中的中国乡村形象。其二是真实性与建设性,经由现实书写的边界拓展,实现叙事模式与策略的突破,发挥具有还原性与超前性的文学功能,追求贴近土壤的真实记录,同时提出对乡村未来发展的建设性思考。其三是普泛性与延展性,借助影视、综艺等多媒介路径赋能,面向社会大众广泛展现乡村变革奋斗史与现代农村新形象,激活田园疗愈城市的精神慰藉效能,在全社会层面引发还乡、寻根的情感共鸣,使“新乡愁”在现代化社会中代际赓续。In the context of the Chinese path to modernization,the writing of local(xiang tu)literature and film since the beginning of the 21st century have shown a strong tendency toward return,proximity to reality and a reciprocal engagement with the real world.and feeding back the reality.This realistic orientation encompasses three key dimensions.First,it is macroscopic and practical,as creators integrate their aspirations into the broader narrative of contemporary literature,providing an on-the-ground perspective on the modernization of rural civilization and establishing a global image of China’s evolving countryside.Second,it emphasizes authenticity and constructiveness,expanding the boundaries of realist writing to achieve innovative breakthroughs in narrative models and strategies.This approach does not only capture authentic rural experiences but also offers forward-looking insights into the future development of rural areas.Third,it is universal and expansive,leveraging multiple media platforms such as film and television and variety shows to broadly show the history of rural transformation and the new image of the modern countryside.This multi-media presentation activates the therapeutic potential of rural settings for urban audiences,fostering a societal resonance around themes of return and root-seeking.In this way,the emerging“new nostalgia”continues to be passed down across generations within a modernizing society.
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