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作 者:刘程明 刘彤彤[1] 庄岳 LIU Chengming;LIU Tongtong;ZHUANG Yue
机构地区:[1]天津大学建筑学院 [2][英]埃克塞特大学人文学院
出 处:《建筑师》2025年第2期74-82,共9页The Architect
基 金:基于中华语境“建筑-人-环境”融贯机制的当代营建体系重构研究,国家自然科学基金重点项目,项目批准号:52038007,2021.01-2025.12。
摘 要:针对北宋皇家园林艮岳的文人化转型既有认知,文章围绕艮岳的圣王景观展开,突出论证其权力意象创作。首先基于既有研究及游记文献,重新梳理了艮岳的基本景观格局与特征。其次按照园林创作逻辑,宏观上分层解读了艮岳的权力景观意象布局。再次从细节上梳理了艮岳的权力景象类型,包括神圣境界景象、治世追求景象,以及相关建筑景象。同时,从徽宗的“圣王”意图和传统礼乐复合精神出发,揭示了艮岳圣王景观创作的深层根源。总的来说,艮岳是徽宗审美话语的传播媒介、政治力量的展现秀场与个人修养的提升场所,对后世园林景观营建产生了一定的积极影响。文章所论的艮岳景观的圣王象征性,补充了中国古代圣王景观建构的发展脉络和节点线索。In response to the existing perception of the literati transformation of the Northern Song Dynasty’s imperial garden,Genyue,this study revolves around the Sage-king landscape of Genyue,emphasizing the creation of its power imagery.Firstly,based on existing research and travel literature,the basic landscape layout and characteristics of Genyue are reorganized.Subsequently,following the logic of garden creation,the study interprets the hierarchical arrangement of Genyue’s power landscape imagery from a macro perspective.In detail,it categorizes the types of power scenes in Genyue,including the sacred realm scenes,governance pursuit scenes,and related architectural scenes.Simultaneously,the study reveals the deep roots of Genyue’s Sage-king landscape creation from the perspective of Emperor Huizong’s Sage-king intentions and the traditional spirit of ritual and music.Overall,Genyue served as a medium for disseminating Huizong’s aesthetic discourse,a showcase for his political power,and a place for personal cultivation,exerting a certain positive influence on the construction of later garden landscapes.The Sage-king symbolism of Genyue’s landscape discussed in this study supplements the developmental lineage and nodal clues of the ancient Chinese Sage-king landscape construction.
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