中文创意写作学的“新建制主义”  

The“New Institutionalism”of Chinese Creative Writing Studies

作　　者：葛红兵[1] 陈颖[1] Ge Hongbing;Chen Ying

机构地区：[1]上海大学中国创意写作研究院,上海200072

出　　处：《探索与争鸣》2025年第3期153-160,180,共9页Exploration and Free Views

基　　金：国家社会科学基金重大项目“世界创意写作前沿理论文献的翻译、整理与研究”(23&ZD294)。

摘　　要：中国写作学认知主要有两条理路:从读者的角度认知作者,从作品的角度认知写作。前者造就了以读者角度为主体的文艺学,后者造就了丰富而发达的文学史学科,这两个学科甚至一度代替(取消)了建制化的写作学。在它们的夹缝中,“传统文章学”“现代写作学”交织发育,但均未获得正果,直到21世纪初“创意写作学”兴起。中文创意写作学科发展不应走美国式反建制化之路或传统中文学科的建制道路,而应在中西互鉴的基础上,结合学科本身的特点,走中国特色新建制主义之路。中文创意写作的新建制化发展,要重新回到“五四”文学源头,赓续其“创意论”经验,充分重视学术性和应用型的结合、创意思维养成与技术技能培养的结合、系统性与开放性的结合,聚焦创新、融合、发展三性建设,形成中国路径、中国气派、中国风格。The main expression of the experience of modern Chinese literature is reader-oriented and teleological.Based on this,there are two main cognitive paths in writing studies:understanding the author from the reader’s perspective and understanding writing from the perspective of the work.The former has led to literary studies with the reader’s perspective as the main focus,while the latter has led to a rich and developed discipline of literary history.In their midst,“traditional article studies”and“modern writing studies”intertwined and developed,but neither achieved success until the rise of“creative writing studies”at the beginning of the 21st century.The development of Chinese creative writing studies should combine the characteristics of the discipline itself and take the road of new Chinese-style institutionalism.The new institutionalized development of Chinese creative writing should pay full attention to the combination of academic and applied aspects,the cultivation of creative thinking and technical skills,the combination of systematic and open approaches,and focus on the construction of innovation,integration,and development.

关 键 词：中文创意写作 新建制主义 路径 目标 

分 类 号：H15[语言文字—汉语]