人类学视角下新民主主义时期广东革命歌曲研究  

Research on Guangdong Revolutionary Songs During the New Democratic Period Under an Anthropological Perspective

作　　者：许韶明[1] XU Shao-ming(Guangzhou Institute of Physical Education,Guangzhou,Guangdong 510500)

机构地区：[1]广州体育学院,广东广州510500

出　　处：《怀化学院学报》2025年第2期15-20,共6页Journal of Huaihua University

基　　金：广州市哲学社会科学规划课题“广州市红色资源的保护与利用研究”(2021GZYB34)。

摘　　要：新民主主义时期的广东革命歌曲是中国革命史的重要组成部分。从整体观的视角,运用新马克思主义、大小传统、性别差异、主客位视角和结构功能主义等人类学理论与方法,深入剖析广东革命歌曲的文化内涵,揭示歌曲在阶级斗争、革命动员中的作用,探讨其与官方话语、民间传统的融合,关注性别视角下的革命表达,并从主客位角度审视历史变迁,从结构功能主义的视角欣赏文化多样性,首次提出了革命曲素的概念,为新时代文化建设提供借鉴,强调革命歌曲的传承与创新价值。Guangdong revolutionary songs during the New Democratic Revolution period constitute a significant component of Chinese revolutionary history.This study employs an anthropological framework and integrates Neo-Marxism,Great and Little Traditions theory,gender dynamics,emic/etic perspectives,and structural functionalism to comprehensively analyze the cultural essence of these revolutionary ballads.Through this multidimensional approach,the research elucidates the songs?蒺dual function in class struggle and revolutionary mobilization,examines their synthesis of official discourse with folk traditions,and investigates gender-specific revolutionary expressions.It further evaluates historical transformations through dual analytical lenses while appreciating cultural diversity via structural functionalist interpretations.Significantly,this work pioneers the conceptualization of“revolutionary songeme”(Geming Qusù),proposing an innovative paradigm for contemporary cultural construction.The study emphasizes the imperative of preserving and creatively reinventing revolutionary musical heritage,offering referential value for cultural development in the new era through systematic documentation and theoretical enhancement of revolutionary cultural resources.

关 键 词：新民主主义时期 革命歌曲 人类学视角 革命曲素 

分 类 号：C912.4[经济管理]