文化哲思的时代镜像:中国西部电影四十年艺术经验探赜  

Temporal Mirror of Cultural Philosophy:A Study on Forty Years of Artistic Experience in Chinese Western Cinema

作　　者：张阿利[1] 张星义 ZHANG A-li;ZHANG Xing-yi(Faculty of Liberal Arts,Northwest University,Xi’an 710127,China)

机构地区：[1]西北大学文学院,陕西西安710127

出　　处：《西北大学学报(哲学社会科学版)》2025年第3期156-165,共10页Journal of Northwest University:Philosophy and Social Sciences Edition

基　　金：陕西省社会科学基金“版本理论研究专项项目西部电影版本整理与研究”(2023BB01)。

摘　　要：中国西部电影发展四十载,依靠西部地域空间特有的文化景观和人文底蕴,形塑民族电影灵魂与审美精神,形成了中国民族电影的典型代表与新时期中国电影的文化样本。中国西部电影以地域文化为表达核心,从文化哲思的角度探寻中华民族的生存状态和精神状况,从审美现代性的视角反思生命个体的生存境遇,形成了中国西部电影的文化属性。社会变革题材类电影、少数民族题材类电影与西部商业电影同构于中国西部电影的生产与艺术创作格局之中,形成了中国西部电影创作的多维光谱。中国西部电影在影戏美学、意象叙事与声景建构等领域形成了独到的美学范式,成为中国区域电影创作中的突出现象,与新时期中国电影美学变革形成互文关系。中国西部电影四十年发展的历史经验弥足珍贵,对于当下中国电影的创作无疑具有重要的启发意义和借鉴价值。Over the past four decades of development,Chinese Western cinema has shaped the soul and aesthetic spirit of national cinema by leveraging the unique cultural landscapes and profound cultural heritage of China’s western regions,emerging as a quintessential representation of Chinese national cinema.Serving as a cultural paradigm of Chinese cinema in the new era,it employs cultural philosophy as its visual foundation to construct the aesthetic spirit of the Chinese people living in western China and the spiritual imprint of the Chinese nation.Through exploring the potential of cinematic language as its artistic vitality,it propels Chinese cinema’s artistic ascension onto the global stage,forming an integrated complex that interweaves real-life landscapes,film theoretical systems,and practical value cores.Rooted in regional cultural expression,Chinese Western cinema investigates the existential conditions and spiritual states of the Chinese nation from a philosophical perspective,demonstrating the vigorous vitality and subjectivity of national cinematic art through visual interpretations of China’s excellent traditional culture.It reflects on the living circumstances of individuals and the progression of modern social development from the perspective of aesthetic modernity,thereby establishing its distinctive cultural attributes.The genre manifests a multidimensional creative spectrum through three primary forms:social transformation films depicting era transitions through realist aesthetic styles,ethnic minority-themed films documenting frontier life and collective memory in western China,and commercially oriented productions respecting public aesthetic demands.Chinese Western cinema has developed unique aesthetic paradigms in theatrical aesthetics,symbolic narration,and soundscape construction,becoming a prominent phenomenon in regional filmmaking that maintains an intertextual relationship with the evolution of Chinese film aesthetics in the new era.Functioning as an interactive field spanning historical an

关 键 词：中国西部电影四十年 民族电影流派 文化哲思 美学变革 

分 类 号：J901[艺术—电影电视艺术]