过程美学视域下的现实主义审美叙事——评电视剧《沸腾的群山》  

Realistic Aesthetic Narration from the Perspective of Process Aesthetics:A Review of TV Series The Boiling Mountains

作　　者：沈磊 SHEN Lei(School of Communication,Guizhou Normal University,Guiyang 550002,Guizhou,China)

机构地区：[1]贵州师范大学传媒学院,贵州贵阳550002

出　　处：《铜仁学院学报》2025年第2期79-85,共7页Journal of Tongren University

摘　　要：电视剧《沸腾的群山》摒弃了传统电视剧表现中的脸谱化倾向,回归角色的生成性特征,体现了过程实在的美学内核。马克思主义文艺理论主张文艺作品源于生活并高于生活,《沸腾的群山》正是以具体的现实场景为基础,绘制了超验视域下的扶贫干部与基层群众自我成长和社会发展的全过程图景。该剧的美学叙事从现实主义的角度切入,沿过程美学和马克思主义文艺理论的逻辑理路展开,最后回归人本主义的价值实现的过程审美的动态统一。The TV series The Boiling Mountains abandons the tendency towards stereotypical portrayals common in traditional dramas,returning to the generative characteristics of its characters and embodying the aesthetic core of process realism.Marxism advocates that artistic works originate from life yet transcend it,and The Boiling Mountains is grounded in concrete real-life scenarios,depicting the complete process of self-growth and social development of poverty alleviation officials and grassroots communities within a transcendental perspective.The series'aesthetic narrative is initiated from a realist viewpoint,unfolding along the logical path of process aesthetics and Marxist literary theory,ultimately achieving a dynamic unification of process aesthetics and humanistic value realization.

关 键 词：现实主义 审美叙事 《沸腾的群山》 

分 类 号：J905[艺术—电影电视艺术]