非虚构文学的跨媒介叙事——论欧阳黔森报告文学的影视改编  

Transmedia Storytelling in Non-fiction Literature:On the Film and TV Adaptation of Ouyang Qiansen's Reportage Literature

作　　者：杨丹 YANG Dan(School of Literature,Guizhou University of Finance and Economics,Guiyang 550005,Guizhou,China)

机构地区：[1]贵州财经大学文学院,贵州贵阳550025

出　　处：《铜仁学院学报》2025年第2期86-92,共7页Journal of Tongren University

基　　金：贵州财经大学研究生科学研究项目“欧阳黔森创作中的衍生转换现象研究”(2024ZXSY122)。

摘　　要：非虚构文学以其独特的真实性与纪实性,深刻反映社会现实与时代脉动。随着媒介技术的发展,非虚构文学的跨媒介叙事逐渐成为文学创作与传播的重要方式,为新时代文学创作与传播提供新的可能性。欧阳黔森的报告文学创作,以贵州脱贫攻坚与乡村振兴为主题,展现非虚构文学在记录社会记忆和表达个体情感方面的独特价值。其作品经过影视改编后,既保留原作纪实性与文学性的核心特质,又通过视觉化的表现形式拓展叙事的情感维度和传播广度,实现塑造社会记忆与深化个体情感的双重表达。Non-fiction literature,with its unique authenticity and documentary character,deeply reflects social reality and the pulse of the times.In recent years,with the development of media technology,transmedia storytelling in non-fiction literature has gradually become an important way of literary creation and dissemination,providing new possibilities for literary creation and dissemination in the new era.Ouyang Qiansen's reportage creation focuses on poverty alleviation and rural revitalization in Guizhou,showcasing the unique value of non-fiction literature in recording social memories and expressing individual emotions.After being adapted into film and television,his works not only retain the core characteristics of documentary and literariness of the original works,but also expand the emotional dimension of narrative and the breadth of dissemination through visual expression,achieve the dual expressions of shaping social memory and deepening individual emotions.Non-fiction literature achieves multi-level integration from text to image through transmedia storytelling.

关 键 词：非虚构文学 跨媒介 欧阳黔森报告文学 改编 

分 类 号：I207.5[文学—中国文学] J905[艺术—电影电视艺术]