身体与空间的双向互动——新感觉派的现代都市空间美学实践  

The Bidirectional Interaction between Body and Space——Aesthetic Practices of the New Sensation School in Modern Urban Spaces

作　　者：杨程[1] Yang Cheng(Hebei Academic Journal,Hebei Academy of Social Sciences,Shijiazhuang,China)

机构地区：[1]河北省社会科学院河北学刊杂志社,河北石家庄050051

出　　处：《社会科学论坛》2025年第3期99-110,共12页Tribune of Social Sciences

基　　金：河北省社会科学基金项目《生命美学视阈下的1930年代海派文学空间叙事研究》阶段性成果,项目编号:HB22ZW019。

摘　　要：空间即人,文学作品中对空间的表述都与身处其中的人的感受紧密相连。作为有充分都市人自觉的现代主义作家,新感觉派一向重视挖掘空间的个体属性,他们通过带有强烈主观色彩的直觉体验描绘空间环境对人的感官刺激,以自己的身体塑造和延展着空间,赋予空间活力与诗性。一方面,新感觉派作家,特别是穆时英对以家宅为代表的个人空间充满感情,将空间本身和空间内的器物拟人化,使之反映出人的情绪与情感。另一方面,新感觉派作家也没有忘记书写空间的社会性,在他们笔下,城市的社会空间不仅是立体的而且体现出鲜明的阶级性。Space embodies humanity,as literary representations of space are intrinsically linked to the sensory experiences of individuals within it.As modernist writers with a profound urban consciousness,the New Sensation School consistently emphasized the exploration of spatial individuality.Through highly subjective intuitive experiences,they depicted how spatial environments stimulate human senses,while simultaneously shaping and extending space through bodily perception,thereby endowing space with vitality and poetic qualities.On the one hand,New Sensation School writers,especially Mu Shiying,were full of emotions towards personal spaces represented by homes,anthropomorphizing the space itself and the objects inside it to reflect human emotions and feelings.On the other hand,New Sensation School writers have not forgotten the sociality of writing space.In their writings,the social space of cities is not only three-dimensional but also reflects distinct class characteristics.

关 键 词：新感觉派 身体 都市 空间 

分 类 号：I206.6[文学—中国文学]