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作 者:端木一凡 DUANMU Yifan(Shangqiu Polytechnic,Shangqiu 476000,China)
出 处:《染整技术》2025年第4期57-59,共3页Textile Dyeing and Finishing Journal
摘 要:蓝印花布是中国传统手工印染的典型代表,纹样具有东方哲学的意境美与民间文化的象征性,蕴含着地域文化的视觉叙事基因。在当代语境下,非物质文化遗产的活态传承亟须突破传播载体的局限,而杂技、舞蹈等表演艺术则为其提供了新的传播载体。为了拓展传统工艺在表演艺术中的叙事维度,有必要就蓝印花布纹样在动态表演场景下的重构逻辑展开探讨,解析纹样元素解构、工艺改良、视觉生成路径与人体工程学的交互关系。Blue calico is a typical representative of traditional Chinese manual printing and dyeing.Its pattern has the artistic conception beauty of eastern philosophy and the symbol of folk culture,and contains the visual narrative gene of regional culture.In the contemporary context,the living inheritance of intangible cultural heritage urgently needs to break through the transmission carrier,and the performing arts such as acrobatics and dance provide a new transmission carrier.Therefore,in order to expand the narrative dimension of traditional craft in the performing arts,it is necessary to explore the reconstruction logic of blue calico pattern in the dynamic performance scene,and analyze the interaction relationship between pattern element deconstruction,process improvement,visual generation path and ergonomics.
分 类 号:TS941.7[轻工技术与工程—服装设计与工程]
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