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作 者:林丹 Lin Dan
机构地区:[1]中国戏曲学院表演系
出 处:《艺术传播研究》2025年第3期108-118,共11页Journal of Art Communication
摘 要:“子午相”是戏曲表演中的一种审美规范,也是舞台艺术中身体构图的一种“黄金法则”,承载着中华民族对身体美学的理解与追求。“子午相”之美的原理在于阴阳之道,体现为圆曲流转与阴阳相合,我们可以进而从形态之美与意象之美的角度阐述“子午相”的审美意蕴。在戏曲形态之美方面,“子午相”通过错落有致的“太极式体旋”,展示蕴含太极八卦思维的身体运用方式以及内外相合的中和之美。从戏曲意象之美来看,“子午相”具备蓄势之美、隐秀之美和“离形得似”的特点,能以静寓动、飞中求挫、传神达意,营造出曼妙而深邃的意境。由此观之,“子午相”不仅是戏曲表演体态的要求和法则,更是戏曲艺术的审美追求,负载着源于《周易》的中华文化哲理,反映了中国人的身体观和对生命本体的认识,传递着流动不息的生命精神与哲学内涵。The concept of“Zi Wu Xiang”is an aesthetic standard in traditional Chinese opera performance and a“golden rule”for body composition in stage art,carrying the Chinese nation’s understanding and pursuit of body aesthetics.The principle of the beauty of“Zi Wu Xiang”lies in the way of yin and yang,which is reflected in the circulation of circles and the combination of yin and yang.We can further elaborate on the aesthetic implications of“Zi Wu Xiang”from the perspectives of the beauty of form and the beauty of imagery.In terms of the beauty of traditional Chinese opera forms,“Zi Wu Xiang”showcases the body’s application of Tai Chi Eight Trigrams thinking and the harmonious beauty of internal and external harmony through the staggered“Tai Chi style body rotation”.From the perspective of the beauty of traditional Chinese opera imagery,“Zi Wu Xiang”possesses the characteristics of poised beauty,hidden beauty,and“transcends the outer form to capture the essence”.It can convey meaning through stillness,flight,and inspiration,creating a wonderful and profound artistic conception.From this point of view,“Zi Wu Xiang”is not only the requirement and rule of the posture of opera performance,but also the aesthetic pursuit of opera art.It carries the Chinese cultural philosophy derived from The Book of Changes,reflects the Chinese people’s body view and understanding of life noumenon,and conveys the flowing life spirit and philosophical connotation.
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