新世纪以来华语作家传记电影的纪实理念、诗性探索与经典化限度  

The Documentary Concept,Poetic Exploration,and Limits of Canonization in Chinese Writer Biopic Films Since the New Century

作　　者：战迪[1] 卞祥彬 ZHAN Di;BIAN Xiang-bin(School of Media and Communication,Shenzhen University,Shenzhen,Guangdong,518060)

机构地区：[1]深圳大学传播学院,广东深圳518060

出　　处：《深圳大学学报(人文社会科学版)》2025年第2期124-132,共9页Journal of Shenzhen University:Humanities & Social Sciences

基　　金：深圳市哲学社会科学规划一般课题“深圳电影产业的精品化建设路径研究”(SZ2024B030)。

摘　　要：作为传记电影的一个亚类型,作家传记片不仅为沉钩文化记忆、追溯作家生平提供了有益参见,也在一定程度上弥合了大众文艺与严肃文学间的裂隙,填补了电影创作中人文精神的缺失。新世纪以来,相较于西方作家传记片,华语作家传记电影以其独特的纪实理念与诗性探索构建起该系列的类型要素。它将纪实理念贯穿于视听转译、跨媒介重构的叙事实践当中,尝试在创作者、传主和观众间建立起以传记事实为承诺,在创作者的叙事权、传主的隐私权和观众的知情权之间寻求平衡支点的契约关系,最终希图达成道德伦理层面的默契。基于中国特有的文艺传统,创作者更在意将作家作品背后独特的情感世界进行具象化、抒情化处理,从而实现精神归乡的思想意图。就经典化建设而言,对作家作品精神本质理解和把握的深刻程度极大影响着此类作品的思想品质。然而,该类电影在创作中也面临对具体作家认知固化、类型意识模糊以及稳定的叙事风格尚未确立等问题,导致作品在思想深度、叙事策略及类型风格方面存在不足。As a sub-genre of biographical films,writer biopic films not only provide us with useful references for recalling cultural memories and tracing the lives of writers but also bridge the gap between popular literature and serious literature to a certain extent,filling the gap of humanistic spirit in film creation.Since the new century,compared with Western writer biopic films,Chinese writer biopic films have built up the genre elements of this series with their unique documentary concepts and poetic explorations.The research reveals that its documentary concept is embedded in the narrative practice of audiovisual translation and cross-media reconstruction,striving to establish a contractual relationship based on the commitment of biographical facts among creators,subjects,and audiences,seeking a balance between the narrative rights of creators,the privacy rights of subjects,and the right to know of audiences,and ultimately hoping to achieve a tacit understanding at the ethical level.Based on China’s unique literary tradition,creators pay more attention to concretizing and lyricizing the unique emotional world behind the works of writers.In this way,they achieve the ideological intention of spiritual homecoming.In terms of canonization construction,the understanding and grasp of the spiritual essence of writers and works significantly affect the ideological quality of such works.However,in the creation of such films,there are also issues such as the rigid perception of specific writers,vague genre awareness,and the lack of an established stable narrative style.These problems lead to shortcomings in the films’ideological depth,narrative strategies,and genre style.

关 键 词：传记电影 作家传记片 经典化 跨媒介改编 电影诗学 

分 类 号：J901[艺术—电影电视艺术]